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...Love Before Breakfast," is as crazy as its title, but is more than averagely amusing. Preston Foster crashes through with a lot of fast comebacks to make up for the merely average performance of Carole Lombard. Janet Beecher as Carole's mother does an excellent job with her tempestuous daughter who is in love with Cesare Romero. Romero plays his usual greasy part and the whole audience is happier when Foster and his millions save the heroine from a sloppy marriage...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 4/24/1936 | See Source »

...private detective of Big Brown Eyes, working with an associate whose crimes include infanticide. The Big Brown Eyes are Eve's (Joan Bennett), who has been transformed from a quiet type into a slangy manicurist whose assured deportment and reconditioned make-up make her virtually indistinguishable from Carole Lombard. The small blue eyes which Na ture gave her have been photographed with magenta lighting so as to look big and brown. The picture is paced in a fashion that makes the sensational crook melo dramas of last year seem as sedate as Whistler's Mother. Its talk...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 13, 1936 | 4/13/1936 | See Source »

...Love Before Breakfast" years to be too, too smart. It is one of these pictures that tries conscientiously to be conscience-free. Whenever the sophistication peters out in English, the actors become blase in the approved Parisian style. For example, when Preston Foster invites Carole Lombard into his private office, she says, "Mousieur" and one sees instantly what a cosmopolitan she is. It's too bad the way Hollywood is forced to grind out pictures in such a furious frenzy. Clearly there is no time to write the small talk in advance, and the poor scared actors and actresses have...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 3/21/1936 | See Source »

...Carole Lombard is pretty well preserved, and she is fairly diverting when violently refusing to be one of the buttons pressed by her omnipotent, omnipresent lover (Preston Foster). There are also germs of amusement in her dilemma when she has to choose between submission to her presumptuous lover (the same Mr. Foster), smugly on- sconced in his steam-yacht; and death by drowning with her wine-soaked, brine-soaked, luke-warm sweetheart (Ceasar Romero) in his tiny, tossing sloop. But the finale falls flat once again. Preston and Carole are married while conducting a licentious altercation. Pathe news catches...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 3/21/1936 | See Source »

...thinking of the good time we will doubtless have next Saturday at "Barbary Coast." For both pictures on the Square this time are pretty bad. We have plot G-63, served up with slight variations; plus comedy situation. Series X-12, in "Hands Across the Table," with Carole Lombard (who is getting old and looks it) and Fred Mac Murray, who is the one and only bright spot. Plot 48-R (the crusty old dame who turns out to have a heart of gold) bobs up again under the title "Three Kinds and a Queen," with May Robson. Neither picture...

Author: By E. C. B. and W. N. C., S | Title: The Moviegoer | 12/6/1935 | See Source »

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