Word: londoners
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Dates: during 1980-1989
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QUEEN OF HEARTS. On a next-to-nothing budget, this criminally pleasurable panorama depicts a teeming gallery of Italians in postwar London. Funny, ambitious and a mite too long, Queen of Hearts laces pearls on a shoestring...
...London: William Mader, Anne Constable Paris: Christopher Redman, Margot Hornblower Brussels: Adam Zagorin Bonn: James O. Jackson Rome: Cathy Booth Eastern Europe: John Borrell Moscow: John Kohan, Ann Blackman Jerusalem: Jon D. Hull Cairo: Dean Fischer, William Dowell Nairobi: Marguerite Michaels Johannesburg: Scott MacLeod New Delhi: Edward W. Desmond Beijing: Sandra Burton Southeast Asia: William Stewart Hong Kong: Jay Branegan Bangkok: Ross H. Munro Seoul: David S. Jackson Tokyo: Barry Hillenbrand, Seiichi Kanise, Kumiko Makihara Ottawa: James L. Graff Central America: John Moody Rio de Janeiro: Laura Lopez...
...Vanessa Redgrave entered the world, her father Michael Redgrave was playing Laertes opposite Laurence Olivier's Hamlet at London's Old Vic Theater. During the curtain call, Olivier gestured for silence and announced, "Ladies and gentlemen, tonight a star is born. Laertes has a daughter." Olivier probably thought he was being gracious rather than oracular. But the man generally acknowledged as the greatest actor of his age in the English- speaking world proved as inspired in his fortune-telling as in his art: the infant born on Jan. 30, 1937, has ripened into the greatest actress in the English-speaking...
...fragile beauty has cast her on film as Isadora Duncan, Mary Queen of Scots and Guinevere. Her toughness made her an anti-Nazi adventurer in Julia and a fierce literary agent in Prick Up Your Ears. Onstage in the summer of 1986 in London, she demonstrated her range by alternating as the worldly queen in Antony and Cleopatra and the humiliated, housebound maiden in The Taming of the Shrew. If anything linked those two roles, it was only the pained look they shared, that unforgettable gaze from those grave and piercing eyes as they take in the unimaginable perfidy...
...dozen years: the thickly accented daughter of an Italian immigrant in the steamy Southland of Tennessee Williams' Orpheus Descending, which opened last week. The production, by Sir Peter Hall, former artistic director of both the Royal Shakespeare Company and Britain's National Theater, was a hit in London in December. Yet it took a risky struggle to transfer the show. Redgrave is a fervid member of a radical group called the Marxist Party; she has poured much of her income into its causes and four times stood as a candidate for Parliament representing the Workers' Revolutionary Party. That commitment helps...