Word: londoners
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Dates: during 1873-1873
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...Aldine copy of Lucius Fiorus (Venetiis, 1521) in my possession exhibits a distinctness of typography and general excellence of appearance that for those infant days of the art are quite commendable. Of this class of printers, to whom we might allow the name of artists, we may instance the London Murray and a few of our own leading publishers...
...London there is a course perfectly straight, according to the United States chart, for six miles, and for four miles with no part narrower than thirteen hundred feet, which is very nearly half as broad again as the start at Springfield. Also, there are no shoal places on the New London course. The banks are steep, so that the steamers go close to either shore, and the current is unusually even in all parts. As for convenience to spectators, the course ends within five minutes' walk from the city. Besides the Norwich and New London lines of steamers...
...London presents itself as one of the most central places that has ever been mentioned. That course came very near being selected in '71, and was not given up on account of any known disadvantage; but the meeting of the Committee was at Springfield, and the members were invited to dine at the Ingleside House, and so the Ingleside course was selected, and for the next two years we kept going nearer the ocean in hopes of finding better water, but with limited success...
...affectionate admiration of a brother, but the simplicity and earnestness with which it is bestowed compel us to believe that it is deserved. A short time after leaving Oxford, where he distinguished himself both as a scholar and as an athlete, George Hughes established himself in London, intending to follow the law; but he was soon compelled, principally by the illness of his wife's mother, to relinquish his profession. After living in Italy for some time, he returned to England, and took up his residence for life on his country estate. It is this part of his life, perhaps...
...Athenaeum records a sale at London of a number of the prints that have been heliotyped: Durer's "Melancholia," pound 31; Marc Antonio's "Adam and Eve," pound 59, and his "St. Cecilia," pound 50; Rembrandt's "Three Trees," pound 123; a print from Van Dyck's "Iconographia," pound...