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Norris says he feels that acting ability is less important than "screen presence." Maybe so, but he takes artlessness to an extreme. Gary Cooper seems mannered and fidgety by comparison. As a loner cop in Lone Wolf McQuade (1983) or as a loner cop in Code of Silence, Norris comes across as an expressionless blank, conveying nothing but tenacity and absolute cool. His body is impeccable, but the voice is flat and high pitched. He has instructed writers to give him as few lines as possible, yet he rushes the elemental dialogue that remains. Words slur: "didn't" becomes "dint...

Author: /time Magazine | Title: Cinema: And Now, a Wham-Bam Superstar: Chuck Norris | 5/20/1985 | See Source »

...burning intensity of ambition and ego to seek the presidency today, to undergo the brutally long campaigning, the probing eye of the press. There are surely tensions between the driving purpose inside the man and the requirement for surface affability and calm. Jimmy Carter was something of a loner even when he played host to several hundred Georgians on the South Lawn of the White House. The Reagans, with all their graceful entertaining and the President's old-shoe geniality, are said to be "very private people." The ability to tune out on many occasions, simply not to notice...

Author: /time Magazine | Title: Alone At the Top: the Problem of Isolation | 5/6/1985 | See Source »

With his hunched, narrow shoulders, his chin tucked resolutely into his chest, and his slinky, slouched walk, Bernhard Hugo Goetz looks rather like a human question mark. The inner man bears the same punctuation: Victim or victimizer? Hero or malefactor? Loner or leader? He is gentle, but demonstrably violent. Personable, but introverted. Idealistic, but cynical. He desires privacy, but has courted publicity. He is humble, but strangely messianic. He lives in New York City, but claims to loathe it. He is not indicted for attempted murder; he is indicted for attempted murder. In his public statements and interviews...

Author: /time Magazine | Title: A Troubled and Troubling Life | 4/8/1985 | See Source »

Reality has a way of turning heroism to tragedy, even pathos. The real gunman is Bernhard Goetz, electronic whiz and loner. His was "a life of quiet desperation," concluded the New York Post. (It should know. It put 13 reporters on the story.) He has been described as moody and unstable. He certainly was frightened. He told his sister after the shooting that he did it out of fear. "A scared individual, vulnerable and fragile," a neighbor called him. When the movie is made, Goetz will be played not by Charles Bronson but by Donald Pleasence. Or better, by Anthony...

Author: /time Magazine | Title: Essay: Toasting Mr. Goetz | 1/21/1985 | See Source »

...desert, mute and loco. His square brother (Dean Stockwell) hauls Travis home to be reunited with his young son (Hunter Carson). Now Travis goes searching, with the boy in tow, for his long-lost wife (Nastassja Kinski). Welcome to the new West, pardner, where the myth of the loner is yoked to the grail of domestic reconciliation. No wonder Paris, Texas is as powerfully schizoid as its title: German director (Wim Wenders), American screenwriter (Sam Shepard), the clashing strategies of an international cast. With his gorgeous, precise images of the American Southwest, Wenders suggests a cinematic landscape artist forced...

Author: /time Magazine | Title: Cinema: Rushes: Dec. 3, 1984 | 12/3/1984 | See Source »

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