Search Details

Word: lonesco (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...seeing Broadway for the first time in a bold, resourceful production that is the opening repertory offering of the APA-Phoenix's current Manhattan season. Ghelderode may at last begin to strike roots in the same theatrical and intellectual soil that has proved hospitable to Beckett, lonesco and Genet...

Author: /time Magazine | Title: Repertory: Man of No Destiny | 12/8/1967 | See Source »

...regional theaters' desire to nurture new plays and playwrights. Up to now they have been pretty timid about it. The tendency is to cater to the subscribers' varied tastes by dividing a season between classics, proven Broadway hits of recent vintage, and such fashionable avantgardists as lonesco, Beckett, Pinter and the ubiquitous Brecht. More ambitious than most, Los Angeles' Mark Taper Forum is genuinely trying to offer original plays. One such experiment, Oliver Hailey's Who's Happy Now?, opened last week to generally happy notices by local reviewers...

Author: /time Magazine | Title: Repertory: Go West, Young Playwright | 11/17/1967 | See Source »

RIGHT YOU ARE. Luigi Pirandello is the philosopher king of 20th century playwrights, an existentialist before Sartre and Camus, an absurdist before Beckett and lonesco. Though written in 1918, this intellectual whodunit has scarcely a grey line in its script, and the APA troupe has faithfully obeyed the playwright's commandment: "To convert the intellect into passion...

Author: /time Magazine | Title: On Broadway: Dec. 16, 1966 | 12/16/1966 | See Source »

RIGHT YOU ARE. Luigi Pirandello is the philosopher king of 20th century playwrights, an existentialist before Sartre and Camus, an absurdist before Beckett and lonesco. This 48-year-old intellectual whodunnit has scarcely a grey line in its script, and the APA troupe has obeyed the playwright's commandment: "to convert the intellect into passion...

Author: /time Magazine | Title: Television: Dec. 9, 1966 | 12/9/1966 | See Source »

Thus, at the center of the contemporary stage remains the European drama represented by Beckett, lonesco, Genet, Pinter and Osborne. None are alike; yet all raise a hemlock toast to the 20th century. Theirs is a drama of metaphysical anguish, rigorous negation, asocial stance, skin-prickling guilt and anxiety, and abidingly absurd humor. In their plays, the situation of man is horrible and funny at the same time. Ionesco says that man laughs so as not to cry. The problem these playwrights pose is man's oldest and newest-the existence problem...

Author: /time Magazine | Title: Essay: THE MODERN THEATER OR, THE WORLD AS A METAPHOR OF DREAD | 7/8/1966 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next