Word: longed
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Dates: during 1950-1959
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...Sand. To visitors last week, the foundry was still the place of weird shapes and leaping shadow that Duchamp-Villon and Brancusi knew well. In one room, sweet-smelling brown wax boiled on a rosy, potbellied stove. In the 100-ft.-long casting shed, coke fires hissed under fat crucibles shaped like medieval cannons, and overhead hoists trundled swaddled casts to their firing-pits. In a finishing room, a workman lay in the arms of a large bronze nude, reverently polishing her nose. In another corner, Marc Chagall supervised the application of a patina to his latest piece. Mustache quivering...
After their marriage a year later, Owings bought the 55-acre site. Says Owings: "It was six hundred feet long, six hundred feet high and six feet wide," and the statement was only a slight exaggeration. What gave special relish to the job for Nat Owings was that in 32 years of designing, including work on such large-scale projects as Oak Ridge, Tenn., Moroccan airbases, and Crown Zellerbach's new building in San Francisco (TIME, Sept. 7), he had never built a house...
...cross party lines. Roy Roberts was one of the first Eisenhower-for-President crusaders in 1952 and still stands firmly behind Secretary of Agriculture Ezra Taft Benson. But the Star has taken strong exception to some Eisenhower Administration policies (it called for the resignation of John Foster Dulles long before he became ill), and last year it enthusiastically supported the re-election of Kansas City's Democratic Congressman Richard Boiling...
...conscious farmers are inclined to drop the big-city paper rather than pay more. Together, the Star and the Times have 671,188 subscribers today, down some 40,000 since 1949. Staffers wonder, too, who will take over when Roy Roberts decides to retire. His key editors have worked long years in his shadow; behind him stands no one groomed to take his place...
...solid (5 ft. 8 in., 150 lbs.) and imposing woman, Dramatic Soprano Nilsson was discovered, as the curtain rose, pacing the deck of the ship bearing Isolde to King Mark of Cornwall; for all the world she looked like a handsome Viking figurehead. In the long, angry denunciation of Tristan that followed, she displayed a big, flashing, vibrant voice that galvanized her audience and conveyed an immediate sense of the turbulent passions that animate the role. As the opera unfolded, Soprano Nilsson continued to dominate the stage with such ringing power that she cut without difficulty through the opulent textures...