Word: longed
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Dates: during 1960-1969
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...long-range interests dictate that we not use any kind of gas in war, and that we seek an interpretation of the Geneva Protocol that forbids the use of all gas in war." Meselson said after the meeting...
...characters' decisions are expressed in walking through rooms or in exteriors. Especially striking is a sequence with Dimmesdale in Hester's house trying to leave, drawn to stay. Seastrom sustains the involvement of the characters in their particular setting- with its details of furniture and dark candlelight- by using long, medium-long takes, cutting sparingly, not cutting away to long-shot till the end. Rather than continuously varying the emotional impact of the drama Seastrom sustains a singly evolving mood through a sequence...
...self-indulgent. His solos offer neither the bludgeoning egotism of Jeff Beck. nor the excellent yet ultimately tedious work of Eric Clapton; neither the excessively frenetic passagework of Alvin Lee, nor the elegant but limited solos of George Harrison. Page has a much better grasp of the organically developing long line than Eric Clapton, whose style of repetitious punctuation suggests a less sentient man. But Cream was organized around the drums while Led Zeppelin is organized around the counterpoint of lead guitarist and vocalist. Nor does Page have to contend with the supernaturally inane lyrics which Jack Bruce brought...
...album. After this the song dutifully falls apart, the lover, eyeless in Gaza, presumably reduced to tatters. "How Many More Times" is unduplicable for sustained, accumulating force throughout four distinct sections. Plant uses his "soaring eagle heartbroken blues" voice, bringing the song to an arresting climax with a long glissando on the word "gun," the latter instrument being both an expression of the lover's libidinal anguish and his rather desperate solution to Rosy's polygamous impertinence...
...with "White Room." Yet Bonham proceeds primarily by a method of complementary rhythmic motives which, at least in "Good Times Bad Times" and "Ramble On," are the equal of Baker. Bonham's solidity of striking, his footwork, and dynamic range are comparable to Baker, while his talent for long-term organic development of genuinely complex rhythms compares disadvantageously with Baker...