Word: longhanding
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...halo, pitter-patters about in a set of high-ceilinged rooms in which the light seems to have died long ago. The drawing room is her workshop and, since she does not know how to handle what she calls with distaste "a typing machine," she writes in longhand at a heavily scrolled oak desk, flanked by the ornate and the austere. Gilt chairs and pedestals topped with alabaster vases rest on bare, creaky floor boards while heavy gilt mirrors stare at the half-empty room...
Menna Gallic's brief and beautifully written first novel of the Welsh coal fields is the sort of book that bestselling authors should be required to copy two or three times in longhand. The language has a strong, sly wit, and the story-of a troubled, strikebound village-is told with force and skill. Welsh-born Novelist Gallie is able to give her sympathy to the strikers without the posturing of protest literature, and to evoke the gamy folk flavor of her villagers without being cute or condescending...
...rate of one a year. By the time half a dozen posthumous novels of the early West had appeared, intramural smiles flickered through the book business. How long could Harper keep Grey alive? The explanation, say Harper editors, is really quite simple. Their man was so prolific-writing longhand on a lap board at the rate of 100,000 words a month-that no publisher could have hoped to keep pace. Grey's attic yielded so many leftover manuscripts that Harper's will be able to maintain its practice of putting out an annual Zane Grey novel...
...recalls June Havoc, successful cineminx, Broadwayward girl (Sadie Thompson, Pal Joey), Shakespearean (A Midsummer Night's Dream) and grown-up (41) kid sister of Stripper Gypsy Rose Lee. June, who was worked so hard as a child star that she never learned how to write properly in longhand, took two years to type out the saga of her youth, called it Early Havoc (Simon & Schuster; $3.95). Though some of it covers the same ground Sister traveled in her own autobiographical story, Gypsy,* which appeared in a musical version on Broadway last week (see THEATER), the book is a remarkable...
...this series, Professor Wolfson traces the growth and interrelationship of Greek, Hebrew, Moslem and Christian pholosophies. All 12 volumes have been written, five have already been published and two more are almost realy for the printer. Wolfson writes all his manuscripts out in longhand ("I'm old fashioned") and then puts them away in the huge file cabinets that adorn his study. When the rough draft of the entire series was written, Wolfson began the slow process of revising each manuscript, some of which he claims not to have looked at in over ten years. But all the rough drafts...