Word: longrun
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...other. All things given, as an institution's national power increases its demand for cultural specificity decreases. No doubt this dynamic of Americanization or American institutional democratization--if I can call it such--is never perfect at any given point in time: it is always an approximation of a longrun norm or ideal, exhibiting much cultural...
...more flexible American attitude was enunciated by Patricia Hutar, co-leader of the U.S. delegation, in a position paper acknowledging that the "longrun goal" of equality and development "implies for us, as no doubt for others, modifications in many existing economic and social structures...
...directing A Taste of Honey, The Quare Fellow, The Hostage, etc., at her small Theatre Royal in London's lower-class East End, she quit because the commercial theaters of the West End kept drawing away her actors and, worse, forcing her to transfer her productions into longrun, big-time houses in order to survive financially. She is a purist who would like to work for a purist audience rather than for people "whose only thought is whether their tiaras are on straight." She believes in short runs and unending experiment. It takes a lot of money to support...
While it is true that one cannot fully appreciate the rationale behind apartheid and its seeming abuses without actually living in South Africa, political common sense leads one to suspect that tolerance before a moderate such as Luthuli would contribute more to the longrun stability of Africa than suppression and a subsequent build-up of resentment and latent violence. Apartheid relies on an almost feudal concept of society, of lords and meek, obedient serfs (Africans of all ages are referred to as "boys," according to the New York Times) which would seem untenable, given the fact of industrialization, no matter...
...Prince and the Pauper: For its one-night stand on the DuPont show, CBS's 90-minute version of Mark Twain's soufflé of make-believe, abounded in virtues that spell "longrun" to Hollywood-a sumptuous production, an exciting, neatly organized story, topflight performances soundly directed. Producer David Susskind, searched seven weeks in the U.S. and abroad to find a pauper (Johnny Washbrook) to match Rex (The King and I) Thompson's prince, coddled his show through three weeks of rehearsal. Amid a staggering 19 sets, Director Daniel Petrie moved his cameras and 100 players with...