Word: longspun
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Dates: during 1958-1958
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Unlike Reiner, Ormandy uses no baton. He swiveled and swayed on the podium, sweeping his arms in long, scythe-like motions, which blurred individual phrases but drew from his orchestra the longspun melodic line that is Ormandy's chief delight. The audience applauded briskly, and most critics splashed their reviews with such words as "energetic." "singing," "blazing." But for all the blaze, Ormandy's tempi were questionable, and his lush handling of the strings in the Bach reminded Chicago Sun-Times Critic Robert C. Marsh of "chocolate syrup" with ''a whipped-cream decoration." Ormandy achieved...
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