Word: looking
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Dates: during 1970-1979
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...these particular three were chosen for early release was not revealed. "I have learned a lot about the other side here," Quarles told reporters. "The people of the United States should turn around and look at things differently for a change." All three, however, did show a certain sensitivity to being the first freed. "I had no choice," said Quarles. "I would have liked to stay with them, but there's nothing I can do about...
...Iranian students followed and even killed in the U.S. and Europe. He threatened them, took away their money and passports, arranged to have them kicked out of universities and did everything, often with success, to deprive them of the protection of U.S. law. Can the Americans afford not to look into this...
...valuables, stuffed him in the car trunk and headed for Jackson Memorial Hospital. There he grabbed a nurse and pushed her into the car, but the woman slid out the opposite door before he could drive off. By now police radios all over the city were crackling: Look out for a white Dodge Dart with an arm protruding from the side of the rusted trunk. Mullins ditched the Dodge, flagged down another motorist, pistol-whipped him and took his car. Minutes later Mullins appeared at a restaurant, where he assaulted a woman and ran off with her purse...
...notion of coronary spasm dates back at least to the turn of the century. But there was no proof, and spasm remained simply a theory, overshadowed by mounting evidence that atherosclerotic disease was a major cause of cardiac attacks. Then, in 1970, doctors got "the first eyeball look at an episode of coronary spasm." At the University of California in Los Angeles, Cardiologist Albert Kattus and his team were doing a coronary bypass operation on a woman when suddenly one of the vessels began to constrict. As that happened, Kattus recalls, "we could feel that her coronary artery was tough...
...grand, generalized effect. Still's colors tend to repetition, the drawing is clumsy, and the paint surface is often crude; he has a way of crushing his pigments into clots and straggles of shiny impasto that works badly against the mat ground. Thus his visual language can look dour and forced...