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Dates: during 1980-1989
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Telephone companies look with envy at the cable-television business. But they are barred from offering cable service because regulators have feared that the phone companies' financial clout and network of lines would give them an unfair advantage over independent operators who had to install their own wiring. Now that cable companies have run wires past 80% of U.S. homes, the phone companies argue that the prohibition is unnecessary. Last week the Federal Communications Commission proposed lifting the restrictions that bar local telephone companies from offering cable service in their areas. The FCC will invite public comment on its plan...

Author: /time Magazine | Title: REGULATION: Stay Tuned for Dial-a-Movie | 8/1/1988 | See Source »

...grandeur of his later still lifes. Braque loved "slow" surfaces, porous and mortared, the paint mixed with sand or sawdust. They had a solid, discreet material presence. They sucked the paint out of the brush and made fluent, wristy drawing impossible. Instead, all is deliberate plotting. You do not look through the paint but at it. Braque's determination to keep everything on the surface is the first thing that strikes you in the great still lifes and interiors of the 1940s and '50s, and it lends them the breadth and declamatory power of traditional fresco. Even when the form...

Author: /time Magazine | Title: Art: Glimpses Of An Unsexy Tortoise | 8/1/1988 | See Source »

...Defense Mapping Agency's library of the world's hills, valleys, rivers and towns. The processing power required to sort out that mass of data is staggering. Says Ronald Hendricks, technical director at Singer's Link Flight Simulation Division, a descendant of Edwin Link's original company: "When you look out the window, you see 18 billion bits of information. To make that scene unfold in real time, you have to compute a new image 60 times a second...

Author: /time Magazine | Title: Technology: Into The Wild Blue (Digital) Yonder | 8/1/1988 | See Source »

...inside to get the proper credentials. As they are waiting, Tipper says, "Let's go dancing" -- but presumably not to rock music with suggestive lyrics. The right credentials are obtained, and the Gores waltz in. Did the security guard not recognize the erstwhile presidential candidate? "I didn't look at his face," she replies...

Author: /time Magazine | Title: The Democrats True-Life Tales from the Omni | 8/1/1988 | See Source »

Hershey's performance captures Roth's dilemma with the blend of severity and tenderness it deserves. When she is arrested and refuses to look back as her child cries, "Mommy, don't go," the viewer knows it is only because she refuses to show she can be beaten. Arch in the interrogation scenes, convincing as a professional and warm in relations with family members, Hershey's Roth only marginally overdoses on the emotional...

Author: By Ross G. Forman, | Title: Growing Up in South Africa | 7/29/1988 | See Source »

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