Word: looks
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Dates: during 1960-1969
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...they all look just the same...
...cities. The problems that have all but consumed many urban areas-the crime waves, the racial ghettos, the inadequate schools, the intermittent near collapse of essential services and the harshness of life-have been effectively exported to the suburbs. The troubles besetting cities and suburbs begin to look alike...
...stems from his instinctive feeling that the German electorate is far more upset by the radicalism of the New Left. His opposition to the abolition of the statute of limitations echoes the feelings of many Germans that the sack-cloth-and-ashes period is over and the nation should look to the future...
...first glance, the constructions of H. C. Westermann seem as innocent as something made for a child. Many of them look like dollhouses and, like dollhouses, have doors that open and windows to peer through into magical interiors where tiny figures go about their unknown business. But wait. Take the centerpiece of a comprehensive show of Westermann's work mounted at the Los Angeles County Museum. Its title is the first eye opener: Memorial to the Idea of Man If He Was an Idea. The figure's mouth is an angry gap, its nose vaguely phallic, its ears...
...quit. Their relationship, on the skids before the film begins, collapses utterly when George learns that she is to be written out of the program. The bearer of the sad tidings is a venomous BBC executive, Mercy Croft (Coral Browne), who doesn't give Childie a second look-she is too busy with the first. As with George, deception is the key to character. Childie belies her name-she has abandoned the illegitimate child she bore at 15 and is now herself a slow 32 years old. As for Mercy, she has no character at all; her external priggishness...