Word: looks
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Dates: during 2000-2009
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Most tattoo artists prefer not to share the tricks and tales of their trade, but not Jeff Johnson. In his newly released memoir, Tattoo Machine, the Portland-based inkman shares some of the weirdest, wackiest and most disgusting details of his profession, from cleaning up after chudders (look it up) to the time he tattooed a serial killer (he thinks). TIME spoke with Johnson about writing his first book, the grim reality of his work and the clash of tattoo generations. (Read "Hate That Tattoo? Making Them Easier to Remove...
...storeroom and nobody knows how it got there. We actually found a Tommy gun in there one time. We had a couple of police officers come in for tattoos and when they found out about it, one of them said, "Oh, you should bring it out and let me look at it." It turned out the gun was loaded all this time...
...book, Ellis traces Goldman's successful management approach to the firm's slow recovery from near failure and mortal embarrassment after the 1929 stock-market crash. (An investment fund it launched was one of the era's biggest disasters.) Goldmanites had no choice but to stick together and look to the long run. The firm's now pilloried entwinement with Washington (some call it Government Sachs) began in those days too, after managing partner Sidney Weinberg made the rare-for-Wall Street move of backing Franklin Roosevelt in 1932. That led to a key role for Weinberg in the World...
...Dengue Fever traveled to Cambodia with their friend John Pirozzi, an American director and cinematographer. That trip is the subject of Sleepwalking Through the Mekong, a DVD/CD combination released in April. Shot in 10 days with a small, Cambodian crew, Sleepwalking is part travelogue, part ode, and an affectionate look at a band that straddles worlds. In front of a Cambodian crowd, Chhom, who spoke almost no English when she met the Holtzmans, is finally at home, while the band tags along, alien, outsized and bumbling good-naturedly through the simmering streets of Phnom Penh. Cross-cultural dimensions like this...
...what would that kind of art look like? In that same year, he provided one answer in Tribulations of Saint Anthony, a pandemonium crammed with the kind of scribble-scrawl images the world would not see again until Cy Twombly came along more than six decades later. Around this time, Ensor also started bringing his masks and skeletons out to play on a regular basis. From then on, personal and social relations in his work would be a dark comedy, performed in disguise and in party colors, with the Grim Reaper making regular entrances to rattle his bones in your...