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...various Harvard students in different artistic disciplines, such as composing a piece for choreographer Julia T. Havard ’11 that will be performed in the Cambridge Queens Head Pub on Saturday. While working with artists in various disciplines is challenging, Lim views it as an opportunity to look at his craft from a different point of view...
...It’s a hard thing to work with because a lot of times people know what they want the set to look like and do,” Shields says. “There’s a constant revision process and you have to find a balance between the set being interesting… and facilitating the action of the play. It can be a challenging process particularly as you work with new directors whose ideas change quite a bit… and as you try to nail down what you’re doing more...
Eric C. Engel, his director at the Publick Boston Theater, believes that Cutmore-Scott’s abilities will take him far. “I have found Jack to be an extremely gifted and gracious actor, and I look forward to seeing his career flourish. I have no doubt that it will,” he says...
...studio of Vi T. Vu ’10 is stacked with paintings. Vividly fluorescent animal and vegetal figures leap across dark backgrounds, multiplying in mirror images of each other. Look more closely, and strange themes begin to emerge: anthropomorphic shapes, images of violence and renewal, all come together in a series of intricately-articulated symbolic forms. All orders and variety are thrown together, but the composition is far from careless. Vu, has created her own, hard-to-catagorize, world...
...princesses, similarly, are not the naïve damsels in distress familiar from Disney home movies. Cinderella, played by Samara R. Oster ’13, ultimately convinces the Baker to look beyond the woods and his insecurities, in a scene that speaks to her strength of character. And although this Cinderella can communicate with birds—and sings just as sweetly—her talent at one point draws a disbelieving quip from the precocious, ferocious, and hilarious Little Red Riding Hood (Maya S. Sugarman...