Word: looming
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Hans Keller is a London music critic whose aim is to stop most talk about music. This apparently self-destructive ambition is prompted by Keller's belief that emotions slip through the loom of language like herring through a cargo net. Keller's solution: analysis by music instead of by words. His criticism of Mozart's String Quartet in D Minor (K. 421) broadcast last week from Hamburg, convincingly demonstrated that a few snatches of music, pointedly juxtaposed, can make a sharper comment on a composition than a column of critical prose...
...word shrinks and the drawings loom larger, more and more writer-artists are becoming the big moneymakers of children's books. Holling C. Holling (Seabird, Pagoo) deals with America, past and present, in large, posterlike illustrations and detailed marginal sketches that make a handsome blend of the factual and fanciful. Robert McCloskey (Blueberries for Sal, Time of Wonder) catches the stillness of a Maine morning before a storm, with both his brush and typewriter. Ludwig Bemelmans has won as many adults as children with his Madeline stories and his Paris scenes, which look as if they had been drawn...
...Lancashire weavers rioted in 1791 and burned to the ground a cotton mill newly set up by Edmund Cartwright, inventor of the power loom. Time and again as the Industrial Revolution spread, workmen fearful of losing their livelihood attacked new labor-saving machines with hammers and torches. Even today, some labor unions (e.g., building trades, printers, stagehands, locomotive engineers) combat technological progress with featherbedding practices; their leaders regard automation with a milder and more law-abiding version of the 18th century loom-wrecker's wild fear...
Under the somber loom of London Bridge last week, six long-muscled watermen bent to their oars in six shells and began the long pull upstream to Chelsea. Traffic on the grey river ignored them, and they had to thread their way with care. Only a handful of spectator launches followed in their wake, but the six oarsmen were competing in the world's oldest boat race. After 2½ centuries, Thames rivermen still prize Thomas Doggett's loud livery and silver badge. The assurance that they will do so "forever" remains unbroken...
...difficult to harmonize, but the loosely knit structure of the play is bound into a tightly cohesive knot, creating a final fluidity. Leads and choruses maintain the spritely and varying rhythms of American life throughout. The same persons flying-shuttled in and out of different roles, weaving the loom of America. Robert Dargie as Uncle Sam at the piano punctuates the performance with robust renditions of American songs, while guitars, banjos, and violins mute the strains of the nation's soul. Scenery and props were appropriately simple, and agilely handled. The floor was musicarnival and the lighting was virtuoso, creating...