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Unfamiliarity delighted him. In 1520, when he was in Brussels, Dürer was shown a roomful of loot from the New World?"a sun of gold fully 6 ft. broad, and a moon of silver the same size . . . strange clothing, bedspreads and all kinds of wonderful objects of various sizes, much more beautiful to behold than prodigies. All the days of my life I have seen nothing that gladdened my heart so much as these things, for I saw among them wonderful works of art, and I marveled at the subtle Ingenia of men in foreign lands." Very...

Author: /time Magazine | Title: Durer: Humanist, Mystic and Tourist | 7/12/1971 | See Source »

...prompted some would-be buyers to consider how they might fare in a rollover accident-even though there is no statistical evidence that convertibles are less safe. In an era of growing crime, the convertible is an easy target; knife-wielding thieves can readily slash through the top to loot or steal a parked car. Besides all that, observes Chuck Norwood, a member of Lincoln-Mercury's product-planning staff, "the convertible was part of a life-style that has changed. Men used to take their girls out on moonlit nights to country lanes" where they could lower...

Author: /time Magazine | Title: AUTOS: Last Ride for a Status Symbol | 4/12/1971 | See Source »

...many of these self-indulgent gimmicks, and for that reason, Orton deserves praise for his cleverness in handling gruesome material; especially his use of double-entendres to remind his audience that lust and filthy lucre stand behind every moral platitude. Excessive length and repetitiveness are the major drawbacks Loot has as a play, but a failure of momentum must, inevitably, hobble black comedy unless a compelling basis for suspense gives coherence to the dramatic situation. Case in point: Secret Ceremony, listless, enervated; Pale Fire, taut, compelling...

Author: By James M. Lewis, | Title: Death Rituals Loot at the Loeb Ex | 3/3/1971 | See Source »

...correspond to their parts, as Russo's did to his. This neat "fit" of actor to part is seldom found in Loeb mainstage productions. Also wanting in the big time Loeb shows is the warm interaction of audience and players, which simply was here from start to finish during Loot...

Author: By James M. Lewis, | Title: Death Rituals Loot at the Loeb Ex | 3/3/1971 | See Source »

...corpse, and its accoutrements-her grayish marble eyes, her false teeth, her Bingo Society "floral tribute." Maybe if we all had the chance to tear the dead apart and turn them upside down in locked cabinets and carry their stiff corpses around in our arms as the characters in Loot do, we might all find release from the hold of death in our minds. For as objects, in silk-lined strong-boxes, our bodies, as Orton sees them, are interchangeable and not so much contemptible as laughable. Joe Orton in some uncanny way realized that to make death at once...

Author: By James M. Lewis, | Title: Death Rituals Loot at the Loeb Ex | 3/3/1971 | See Source »

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