Word: lope
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Dates: during 1990-1999
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...Washington does in New Hampshire. Polls show that McCain's support in that state has jumped 10 points in the past month, leaving him with 21% of likely Republican primary voters, compared with 40% for George W. Bush. New Hampshire has a history of scarring front runners who lope into the state with a lead. Now that Steve Forbes and Elizabeth Dole have receded in state surveys, McCain is the only challenger who appears to have traction. He has also won endorsements from several state representatives and the beloved former Senator Warren Rudman...
...with a novel. While he capitalizes handsomely on the freedom afforded by fiction (so many more people you can zing without fear of libel!), Andersen is hamstrung by the overall structure that the genre demands. His sentences may sparkle, but the book's forward motion is a sputtering lope. Its loose, digressive shape makes Turn of the Century awfully easy to put down...
...cliche contends that the Spanish are a proud and passionate people; Lope de Vega's Fuente Ovejuna hardly strives to dispel the stereotype. After a spot of flogging and rape foreplay, loopy Lope really gets the juices flowing with graphic onstage torture and decapitation. Gorier than "Commando," racier than "Emmanuelle on Taboo Island," Fuente Ovejuna makes for old-fashioned family fun. Yet for all its mainstage status, its interesting script and its many strengths, the Loeb production retains on overwhelming air of student drama of the cardboard shield and plastic sword school...
Written in the first years of the 17th century, Fuente Ovejuna stuns the audience with its precocity. Lope de Vega pokes fun at P.C. euphemisms, impractical intellectuals, outmoded patriarchal feudalism and classist snobbery. He addresses what we though were 19th and 20th century causes celebres: social revisionism, empowerment of the masses, demogoguery, mob violence and group identity. Furthermore, his plot simultaneously explores the development of the nation-state in Spain, and its effects at an individual level. Lope de Vega's mature, witty, gutsy script presents these topics engagingly...
Dramatic crackerjack that it is, Fuente Ovejuna still lands its director in all sorts of difficulties. Lope de Vega sticks to the courtly writing conventions of his day: his shepherds display admirable eloquence, intellectual curiosity and a penchant for Socratic dialogue; his washerwomen have quicker wits and sharper tongues than Oscar Wilde, and all his characters indulge a fondness for spontaneous poetry in the throes of battle, rape and torture. Nor did the author subscribe to total proletarian emancipation: Subcurrents of aristocratic patronage and the social contract irk modern-day viewers. And the script deserves to be adopted...