Word: lopert
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Dates: during 1950-1959
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Gates of Paris (Filmsonor; Lopert). Rene Clair is a moralist who never moralizes. In this picture, for instance, his moral is a weighty one. Evil is not evil, Clair says, if it does good; in real life the absolutes are relative. Yet the point is made lightly, and it hits home with benevolent accuracy...
...Cabiria (Lopert) is the best of the Italian contributions, remarkable chiefly in the story it tells. "Vieni qua," says the famed Italian actor (Amedeo Nazzari). The shabby little streetwalker (Giulietta Masina) can hardly believe her ears, but she jumps into his flashy American car, and they drive to his villa, a California! creation on the Appian Way. "Where do you live?" he asks her idly, as she nibbles at caviar and lobster in his overpoweringly seductive apartment. "Oh," she answers him, dazed with all the magnificence and trying desperately to live up to it, "I'm not like...
Richard III (London Films; Lopert), the chronicle of England's last Plantagenet* king (1452-85), is one of the most powerful yet one of the clumsiest and least poetic plays that Shakespeare wrote. It is magnificently produced in this film translation by Sir Laurence Olivier, who not only directed the picture with taste and skill of a high order, but also "monkeyed around" with the Shakespeare script -cutting, transposing, and sometimes just plain changing-in a wickedly ingenious way. The cast Olivier has assembled is a Who's Who of the British theater-Sir John Gielgud, Sir Ralph...
...Loved Redheads (Lopert; United Artists), a droll British legpull, poses a profound question: Can a comfortably married man - in this case, a slightly stuffy peer with a fine future in the Foreign Office - pull the sheets over his wife's eyes by carrying on with a string of mistresses, and live happily for 30-odd years in his two worlds? Answer: rather...
Summertime (Lopert; United Artists] brings Bachelor Girl Katharine Hepburn to Venice tremulous with excitement, ready for adventure and eager for love. But this is only one Hepburn, and the buried one at that. On the surface is Hepburn's other, more dominant self: a woman grimly determined-above all else -not to be played for a sucker...