Word: lopert
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Tunes of Glory (Colin Lesslie; Lopert). Up at the castle the pipers are piping a jig for Jock Sinclair. Rank: acting C.O. of a Highland battalion. Origin: wrong side of Glasgow. Military record: rose through the ranks, took command of the battalion at El Alamein. led it to glory. Personal data: has hair like ginger and a temper to match. Remarks: Jock loves the battalion, the battalion loves Jock, and the paughty people who see this picture will love him too. because Jock Sinclair is one of the most lifelike creatures that ever sprang full-snooted from the jovial brow...
Black Orpheus (Dispatfilm-Gemma; Lopert) is perhaps the most impressive can of film so far cast up on U.S. shores by the New Wave (La Nouvelle Vague) of creation that has swept across the French movie industry. It is an amazing creation. The picture was made by Marcel Camus,* a 47-year-old assistant to some of France's top directors. In 1957 he found an adaptation of the Orpheus legend by a Brazilian poet and playwright named Vinicius de Moraes (TIME, Nov. 19, 1956), and for the hell of it he used the wildly poetic mountains around...
...Possessors (Filmsonor Intermondia: Lopert) are all members of one big unhappy family who made their first appearance in Maurice Druon's Les Grandes Families, a 1948 Prix Goncourt novel based on some of the Two Hundred Families that presumably ruled France between the two World Wars...
Inspector Maigret (Lopert). One dark night a woman is stabbed to death in the Rue des Rosiers. Five minutes later the criminal calls the Paris police and challenges Inspector Maigret to catch him. Enter Maigret-sometimes known as "the French Hercule Poirot"-the hero of at least 44 romans policiers by Georges Simenon and generally conceded to be one of the most believable bloodhounds in the literature. Plain, paunchy, respectable, he has the shrewdness as well as the looks of a village grocer; and in this film he is played to the liverish life by Jean Gabin...
...Horse's Mouth (Lopert; United Artists). The stream of consciousness, as it comes boiling out of Gulley Jimson, the painter hero of the late Joyce Cary's masterpiece of monologue, is a wizard's brew-wine of genius mixed with just plain sewerage-that may be too rich for the average moviegoer's blood. Cary in his book (TIME, Feb. 6. 1950) displayed the Irish talent for tirade in formidable measure, and he revealed a teeming and generous vision of life, a Rabelaisian sense of comedy. To make a straight commercial movie out of such...