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Word: lopert (lookup in dictionary) (lookup stats)
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...Parisienne (Lopert; United Artists) fires off BB again, in far and away the most delightful of the seven Bardot reports that have popped in the U.S. in the past two years. Scriptwriters Annette Wademant and Jean Aurel have turned out an original screenplay with a plot that is no more distinctive than a stick, but they have given it a frothy, spicy, sugar-candy coating...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 28, 1958 | 7/28/1958 | See Source »

Gates of Paris (Filmsonor; Lopert). Rene Clair is a moralist who never moralizes. In this picture, for instance, his moral is a weighty one. Evil is not evil, Clair says, if it does good; in real life the absolutes are relative. Yet the point is made lightly, and it hits home with benevolent accuracy...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 3, 1958 | 2/3/1958 | See Source »

...Cabiria (Lopert) is the best of the Italian contributions, remarkable chiefly in the story it tells. "Vieni qua," says the famed Italian actor (Amedeo Nazzari). The shabby little streetwalker (Giulietta Masina) can hardly believe her ears, but she jumps into his flashy American car, and they drive to his villa, a California! creation on the Appian Way. "Where do you live?" he asks her idly, as she nibbles at caviar and lobster in his overpoweringly seductive apartment. "Oh," she answers him, dazed with all the magnificence and trying desperately to live up to it, "I'm not like...

Author: /time Magazine | Title: Cinema: In the Meantime | 11/18/1957 | See Source »

Richard III (London Films; Lopert), the chronicle of England's last Plantagenet* king (1452-85), is one of the most powerful yet one of the clumsiest and least poetic plays that Shakespeare wrote. It is magnificently produced in this film translation by Sir Laurence Olivier, who not only directed the picture with taste and skill of a high order, but also "monkeyed around" with the Shakespeare script -cutting, transposing, and sometimes just plain changing-in a wickedly ingenious way. The cast Olivier has assembled is a Who's Who of the British theater-Sir John Gielgud, Sir Ralph...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 12, 1956 | 3/12/1956 | See Source »

...Loved Redheads (Lopert; United Artists), a droll British legpull, poses a profound question: Can a comfortably married man - in this case, a slightly stuffy peer with a fine future in the Foreign Office - pull the sheets over his wife's eyes by carrying on with a string of mistresses, and live happily for 30-odd years in his two worlds? Answer: rather...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 8, 1955 | 8/8/1955 | See Source »

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