Word: lorca
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Dates: during 1960-1969
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...aristocratic mother, Luis became a brilliant pupil of Jesuit tutors. But upon reading Darwin's The Origin of Species, he started the opening battle in his long war against church and state. At the University of Madrid, he was an intimate of the revolutionary poet Federico Garcia Lorca and the genius-impostor Salvador Dali, with whom he shared two main interests, cinema and surrealism. Later, they made two pioneer films: The Andalusian Dog, notable for its explicit Freudian imagery and resolute non-meaning, and The Age of Gold, which contained frenzied images of a homicidal Christ figure. That succ...
Sons & Suns. Bearden, 53, has spent 30 years developing his technique. In the late 1930s he studied under Satirist George Grosz at Manhattan's Art Students League, next fell under the combined influences of Picasso, García Lorca and Hemingway (a 1946 show of gaudy oils and watercolors was inspired by García Lorca's lament for a bullfighter). In the 1950s, he painted in Paris, took a turn in Manhattan as a professional songwriter but periodically returned to canvases of Negro life. He began to use collage only in the 1960s...
Blau and Irving had tried too hard with too little. Their company (including their own wives) was unseasoned, their stage-an apron affair-was too difficult, and their repertory (Brecht, Sartre, Lorca) too demanding. By last week, with all of their efforts widely panned, Blau resigned, wrote the center's trustees: "The climate is no longer right for me to do what I came to do. Perhaps my going will clear the atmosphere so the theater may move freshly in whatever course of action it must take now." Irving will stay on as sole director at least until...
Actually, Yerma is no-barren. It is her husband Juan (Frank Langella) who is sterile - and doesn't want any babies around the house anyway. An old crone offers her son as an inseminative agent, but Lorca cannot let Yerma commit adultery because he intends the play as a tragic stalemate between honor and instinct. Surrounded by women who take a sensual delight in their fecundity, poor Yerma is reduced to beating her breasts and moaning, "I feel two blows of a hammer here instead of my baby's mouth...
This characteristic infelicity of image and language shows how Poet-Translator W. S. Merwin has diluted Lorca's intense lyricism, which in Spanish almost sustains the play. Having no place to go, the play capsizes into melodrama, with Yerma strangling her husband to death in the last scene...