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Word: lordly (lookup in dictionary) (lookup stats)
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...mocks us as we press our noses against the window glass. What unimaginable delight made the pretty lady swirl and smile as the photographer snapped her picture? What season of debauchery brought the sulky thrust to this beauty's lower lip? At what groveling serf does the fine young lord in the Ferrari scowl with such contempt? Nothing; none; at no one; these glossy apparitions are as hollow as soap bubbles. The photographer has frozen moments that never were ? yet they tease us because their reality is beyond question, while our own stored moments, caught in snapshots and thrown...

Author: /time Magazine | Title: Modeling the '80s Look: The Faces and Fees are Fabulous | 2/9/1981 | See Source »

...plot follows the ceaseless tour of the "Caravana Rolidei," a hilariously low-rent travelling carnival under command of Lord Gypsey (Jose Wilker), a tacky magician impresario. With him is his lover Salome (Betty Farish), "the Rhamba Queen," a tawdry sexpot who moonlights as a hooker, and a Black deaf-mute muscleman named Swallow. When this troupe rolls into Pirhanhas they become the way out for an idealistic, accordion-playing farmboy. Cico (Fabio Junior), who fears an existence rooted in the sleepy backlands and joins the outfit with his pregnant young wife. The old pros and the innocents rattle together from...

Author: By F. MARK Muro, | Title: To the Brazilian Beat | 2/5/1981 | See Source »

...take their ramshackle operation into the interior and finally are driven to big cities buzzing with the din of portable radios and the "civilized" hustle of discos, drug deals, and leisure suits. More and more, the troupe's show business must take a backseat to the oldest profession, and Lord Gypsy is forced to consider a proposition to join a smuggling racket...

Author: By F. MARK Muro, | Title: To the Brazilian Beat | 2/5/1981 | See Source »

...might have been pressed into the boring documentary role of "yokel-from-the-primitive-hinterlands-who-learns-the-modern-world-fast-and-succeeds-in-the-city," more realistically straddles the two worlds, both awkwardly and heroically. He is the idealistic primitif, yet when the show busts, he promptly follows Lord Gypsy's lead in sending out his wife as a prositute. But then again, when he sees her being picked up by a member of the new Brazilian bourgeoisie he files over to save her, screaming, "Not with him," and flailing away with great matrimonial passion. Diegues deftly speaks...

Author: By F. MARK Muro, | Title: To the Brazilian Beat | 2/5/1981 | See Source »

...sleazy hokum, often delivered at omnipotent volumes over what one suspects is the only amplifier in the Brazilian backlands. Diegues subtly uses Wilker's ridiculously inept shamming to represent more seriously the modern demand to sell out and adapt. One of the blackest jokes in the movie occurs when Lord Gypsy annoints his draught-plagued audience with bogus snow to the crooning of "White Christmas;" Gypsy proclaims "I can make it snow in Brazil like it does in all civilized countries." His ironic tone suggested he knows what it takes to get ahead in that world...

Author: By F. MARK Muro, | Title: To the Brazilian Beat | 2/5/1981 | See Source »

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