Word: lorentz
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From the point of view of the United States, I suggest that such a policy would be in keeping with a Chinese maxim, quoted by Robert Payne in a biography of Mac Tse-tung. "Know yourself, know enemy: hundred battles, hundred victories." Lorentz W. Hansen...
...Victorian rooms in Manhattan's old Chelsea Hotel, he has also become one of the few U.S.-born composers who can (or cares to) catch the sights, sounds, smells and flavors of the U.S. in his music-one reason that documentary moviemakers like Pare Lorentz (The Plow That Broke the Plains) got him to compose their sound tracks. A suite from Thomson's latest film score, for Robert Flaherty's Louisiana Story, has already been given in concert form by the Philadelphia Orchestra...
Thomson: The Plow That Broke the Plains (Hollywood Bowl Symphony Orchestra, Leopold Stokowski conducting; Victor, 4 sides). Unlike most movie music, this still breathes after being separated from its celluloid twin, a documentary film by Pare Lorentz. Manhattan's fastidious Composer-Critic Virgil Thomson, an expatriate from Kansas City, Mo., makes his folk material sound as authentic as Midwestern prairie wheat, but his handling of jazz smacks more of corn. Recording: excellent...
...Pare Lorentz' The Plow That Broke the Plains and The River, which broke ground for U.S. documentaries...
...thrillers (Journey Into Fear, A Coffin for Dimitrios). To gather his material, Ambler spent about five weeks in the U.S. viewing close to a million feet of film, spent many more poring over volumes of Americana. The final product is a composite of snatches from U.S. films-by Pare Lorentz, the U.S. Army Signal Corps, the MARCH OF TIME-and original scenes photographed in Wembley...