Word: lorenzo
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...discoveries, the Michelangelo works were found partly by accident. For years, Dal Poggetto and his colleagues have been worrying about the crowds of tourists-sometimes 4,000 a day-who come swarming into the chapel to see the seven brooding marble statues that Michelangelo carved to commemorate the Dukes Lorenzo and Giuliano de' Medici. There is only one door for the tourists to enter and leave the chapel by way of the crypt...
...company's resident choreographer Lorenzo Monreal is the exception, carrying off what choreographers Charles Neal, Saeko Ichinohe and Ze'eva Cohen attempt but fail. Monreal creates a highly-charged atmosphere in "Piosenki" which underlies his expressive end, unlike the other three who substitute the ambience of drama for its substance in "Yin and Yang," "Chidori" and "Goat Dance." Danced to throaty cabaret songs composed by Zygmunta Koniecznego, Monreal's duet has less specific associations than the other drama and succeeds in its allusiveness. Laura Young and Woytek Louski sweep through a succession of breath-arresting lifts, revealing the tenderness...
...weak Miss Lonelyhearts tilts the balance of the play in Shrike's favor, and Lorenzo Mariani as the sharp-talking features editor makes the most of it. Poor Miss Lonelyhearts never really stands a chance. Mariani's magnificent presence and resonant voice dominate the stage, as he enunciates West's vision in a way that mixes cynicism with sense. Especially fine is Mariani's handling of Shrike's monologue, in which he relentlessly demonstrates to a bed-ridden Miss Lonelyhearts the futility of traditional means of escape...
...Prince of Morocco (Curt Anderson), Salerio (John Sedgwick), Nerissa (Meg Vaillancourt), and Jessica (Andrea LaSonde) for their well-executed performances. Launcelot Gobbo (Kevin Grumbach) did some unexpectedly successful things with some of Shakespeare's least inspired clown material, and his father (Peter Frisch) served him as an effective foil. Lorenzo (Danny Snow) managed to project a kind of cortesia Castiglione would have recognized. The only serious miscasting was the Duke of Venice himself (David Garcia) who lacked the eloquence to make his magnanimity seem better than a sham. Graziano (Dan Riviera) left his role in a shambles, just a little...
...like this can make you a beacon of the school system," he says) and then scornfully branding him a "capon," Weinstein does manage to infuse the play with whatever sense of menace it finally conveys. Emily Apter is also fine in the stereotypical part of the teasing ingenue, and Lorenzo Mariano is sufficiently otherworldly as Squint, the philosophy student...