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...patron of the arts, the U.S. Internal Revenue Service has made Lorenzo the Magnificent look like a piker. The law, tolerantly enough, lets people give paintings to a museum, take current appraised value as a deduction from taxable income, then keep the paintings in their homes for life (TIME, Nov. 24). But many a giver wants to get an extra measure of tax advantage by inflating the value of the gift. The method is to get an "expert" to pin a false appraisal on the work; the Government has not often questioned the appraisals. In one case, a dealer sold...

Author: /time Magazine | Title: Art: Mortimer, Not the Medici | 1/26/1962 | See Source »

Hypnotic God. One of Donatello's greatest successors was Antonio del Pollajuolo, whom Lorenzo de Medici called "the principal master" of Florence. His writhing Hercules and Antaeus, the only surviving statuette, positively known to be his, almost cries out in agony. Wild Man on Horseback, by Bertoldo di Giovanni, a pupil of Donatello, rides with savage majesty upon a steed of extraordinary elegance. Though less renowned, Alessandro Vittoria left in his 19½-in.-high Neptune a figure of hypnotic power. There is no doubt that this small god could quell a storm with his anger...

Author: /time Magazine | Title: Art: The Little Bronzes | 12/15/1961 | See Source »

...theme of Girl with a Suitcase is an immensely popular one these days. Lorenzo (Jaques Perrin), a 16-year-old stripling, falls in love with Aida (Miss Cardinale), an older and more sophisticated person altogether, after his brother Marcello (Corrado Pani) betrays her (how he betrays her is a mystery). Lorenzo makes sacrifices for Aida, gives her money which is not his, and fights for her honor against assorted lechers while she looks on and tries to figure out what he is getting so excited about. Occasionally, she can understand what drives the boy, but she is too much...

Author: By Michael S. Lottman, | Title: Girl With a Suitcase | 11/16/1961 | See Source »

...still Girl with a Suitcase will be acclaimed. It has precisely one good scene, in which Lorenzo sulks as a middle-aged playboy tries to put the make on Aida. Because it is 99 and 44/100ths per cent Italian, however, it floats. The first scene of the movie, for example, shows a car stopping and Aida getting out to relieve herself. In an American movie, this would be deplored as unnecessary crudity, which it is; here, presumably, it is wonderfully realistic. It's about time people began to appraise foreign movies on grounds other than how foreign they...

Author: By Michael S. Lottman, | Title: Girl With a Suitcase | 11/16/1961 | See Source »

...wallpaper. In its way, it was as sad a death as that of Keats-near whom he was buried in the Protestant cemetery in Rome. Uncomfortable for Keats, suggested Wyndham Lewis, one of the many artists who drew Firbank. The authorities dug up his body, reburied it at San Lorenzo fuori le Mura in Catholic ground. Firbank's work belongs to the great body of literature which says that life is cruel, beautiful and impossible to explain. He wrote on large blue postcards and is said to have cut out the sentences that pleased him, then assembled them into...

Author: /time Magazine | Title: Books: More Than Just Dandy | 11/10/1961 | See Source »

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