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Golden Fleecing (by Lorenzo Semple Jr.) bears one of those pun-propelled titles that proclaim a farcical text. And farcical Golden Fleecing is, without being farcical enough. Concerned with three U.S. Navy men in Venice who plot to win fortunes at roulette by using their ship's "top-secret" mechanical computer, it involves signals between harbor and hotel suite, their own admiral in the suite below, the admiral's inevitably winsome daughter, signalmen who pass out, couples who dive into canals, Venetian glass, Venetian gangsters, and phones that stop ringing only when doorbells start...

Author: /time Magazine | Title: The Theater: New Plays on Broadway, Oct. 26, 1959 | 10/26/1959 | See Source »

...best, and the worst, that can be said of the tempestuous friar is that he loved God so passionately that he had very little love left for man. Biographer Ridolfi-a Florentine descended from both Lorenzo de' Medici, an early antagonist of the Dominican, and Giovambat-tista Ridolfi, one of the priest's loyal supporters-is clearly an admirer of Savonarola. He feuds pompously with previous biographers, argues expertly and with almost contemporary urgency in defense of the contentious martyr. The reader may reflect that the excesses of body and spirit against which Savonarola thundered were the underside...

Author: /time Magazine | Title: Books: The Sword of God | 8/17/1959 | See Source »

Savonarola added withering philippics on the tyranny of Lorenzo the Magnificent to his repertory of complaints against the church. Sensation-hungry Florentines packed in to hear his denunciations, and when friends warned him not to anger the powerful Lorenzo, Savonarola replied grimly: "Though I am here a stranger and he the highest citizen, yet I shall remain and he shall depart." In 1492 Lorenzo was dead. Echoing in the ears of the impressed Florentines was the preacher's reiterated warning: "Ecce gladius Domini super terram, cito et velociter [Behold the sword of the Lord, swift and sure, over...

Author: /time Magazine | Title: Books: The Sword of God | 8/17/1959 | See Source »

Richard Robinson publishes Chapter Five of his novel, a segment of which was widely appreciated by Advocate readers several months ago. This excerpt, titled "Afternoon in Formia," concerns a ruse devised by two rakes giro and Lorenzo, to acquire bank funds that do not belong to them, and also, a devilish trick that Giro plays on Lorenzo, in which the latter, in an effort to demonstrate that a person consumed by pity blinds himself to reality, receives, for his services, not the roses that he anticipates, but rather, an unfortunate pelting of old artichokes and rotting lettuce heads...

Author: By Gavin Scott, | Title: The Harvard Advocate | 4/7/1959 | See Source »

...study in disillusionment, the play tells how republican Lorenzo de Medici, by playing the weakling and pimp, has the chance to kill the debauched, despotic Duke of Florence, only to find that the new Duke is as worthless as the old. In a role that is superficially as neurotic and high-souled and weak, and is as full of dissembling and soliloquy, as Hamlet's, Gerard Philipe played with great effect. If possibly overstressed, Lorenzaccio's effeteness stood in vivid contrast to Philippe Noiret's gruffly selfish Duke. Such performances were part of a simple but eloquent...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Oct. 27, 1958 | 10/27/1958 | See Source »

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