Word: lorie
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Dates: during 1970-1979
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...group drunk. Drunkenness is a dimension of the play, one that changes with time, allows constant development of the characters and permits repetition and refinement of the themes. Frank McCarthy and Cathie Robinson as the middle-aged history professor George and his bitch wife Martha, and Al Ronzio and Lori Heineman as their young faculty-party acquaintances, Nick and Honey, work well under the requirements of this changing dimension. Much of the success of the Atma production of Virginia Woolf depends on the four actors' ability to alter their speech, motions, and emotions in the constantly changing context of their...
...directs its anger not at the scheming Richelieu or the irresponsible Louis or the decaying monarchy that protects the two, but at Richelieu's agent Milady de Winter. With a curiously pathological doggedness, the play heaps all the injustices in its world at the doorstep of the woman. Unfortunately, Lori Heineman isn't quite capable of infusing the role with the stature and presence it demands. She is simply not convincing as a foil for D'Artagnan and the rest of the boys in his band, and so ends the play more a pathetic scapegoat than tragic villainess...