Word: lorie
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...advertising executive with a breakfast-food account will tell you, the best way to a mother's pocketbook is through her children. Some Wisconsin Telephone Co. ads use an engaging little moppet named Lori Busk, 7, who urges mothers to buy a second telephone for the convenience of their tots. One ad begins with a hidden voice asking Lori, "Hey, what do you like most about extension phones?" Lori replies, "All the colors," adding, "They're convenient." She then explains convenience: "It means that when you're busy coloring in your room, you don't have...
...cost for full-time tuition is prohibitive to many employees especially if there is more than one child in the family," Lori Stokes, a member of the Steering Committee, said yesterday...
...group drunk. Drunkenness is a dimension of the play, one that changes with time, allows constant development of the characters and permits repetition and refinement of the themes. Frank McCarthy and Cathie Robinson as the middle-aged history professor George and his bitch wife Martha, and Al Ronzio and Lori Heineman as their young faculty-party acquaintances, Nick and Honey, work well under the requirements of this changing dimension. Much of the success of the Atma production of Virginia Woolf depends on the four actors' ability to alter their speech, motions, and emotions in the constantly changing context of their...
...directs its anger not at the scheming Richelieu or the irresponsible Louis or the decaying monarchy that protects the two, but at Richelieu's agent Milady de Winter. With a curiously pathological doggedness, the play heaps all the injustices in its world at the doorstep of the woman. Unfortunately, Lori Heineman isn't quite capable of infusing the role with the stature and presence it demands. She is simply not convincing as a foil for D'Artagnan and the rest of the boys in his band, and so ends the play more a pathetic scapegoat than tragic villainess...
Nancy Cox (Olga), Susan Yakutis (Masha), Martin Andrucki (Vershinin), Deborah Holzel (Natasha), Daniel Seltzer (Doctor), Paul Shutt (Kulygin), and practically everyone else-all let their souls pour over the auditorium from time to time if not all the time. Lori Heineman as Irina and Andre Bishop as Andrei go even further than that, opening themselves up to let us see their entire nervous systems almost every second they are on stage. No matter how self-enclosed you are upon arrival at the Loeb during the next two weeks, you simply will not be able to pass up Heineman and Bishop...