Word: lorrains
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...what's behind the dueling outrages? "Without discounting the real roots and feeling of anti-Semitism both men have, most of this is really about drawing attention to a European campaign no one cares about," says Lorrain de Saint-Affrique, a political strategist who advised Le Pen in the 1980s. "Le Pen needs scandal to be elected. Dieudonné is an entertainer using politics to promote his career. Outrage generates headlines - and both men need those." Yet another thing the two have in common...
Turner didn't always deal in turmoil. His great hero was Claude Lorrain, the 17th century French landscape painter who invented formats like the idealized harbor, places flanked by classical piles, where a setting sun bears down gently on the horizon. In Caernarvon Castle, an early watercolor flushed with orange twilight, Turner took Lorrain's tranquil model and invested it with the nostalgia and high-minded melancholy of English Romanticism...
...ingenious visual trick, an instantaneous conversion of nature to art by the mere act of framing the scene. Europe in the 18th century saw a vogue among painters and travelers for the Claude glass, an optical device that framed views in the manner of landscape painter Claude Lorrain and lent them something like his subdued tones. The Mediatheque functions in a similar way, but with even simpler means, aestheticizing a bit of nature simply by pointing us toward it just so. In a room where people will examine art on computer screens, reality becomes one more screen. As Scofidio likes...
...first artist to develop fully the landscape-as-property theme in Australia was John Glover (1767-1849), who settled in Tasmania at the ripe age of 64. He was a mediocre professional who knew, and sedulously imitated, the work of Claude Lorrain. But in Australia he did the best work of his life, celebrating the pastoral delights of land ownership and commemorating the Aborigines, whose way of life was being inexorably destroyed by white farmers like him. No painter in Australia ever committed himself as wholeheartedly to recording the life of Aborigines as, say, American artist George Catlin...
...Corot's career began in the 1820s, at a time when classical landscape--the ideal scene with temples, ruins and mellow boscage, populated by figures out of Ovid's Metamorphoses or Vergil's Georgics--was still very much a part of French art. Its greatest exponents, Nicolas Poussin and Lorrain, were French, and their work still cast a long shadow. But it existed alongside a newer appetite for natural vision, the direct recording of the facts of landscape, whose wellhead was the English artist John Constable...