Word: losch
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...speakers for the second series will be Dr L. W. Baker, professor of orthodontia: Dr. E. A. Tisdale, instructor in orthodontia: Dr. P. K. Losch, assistant in operative dentistry; and Dean L. M. S. Miner from the Harvard Dental School staff: and Dr. D. A. Thom, director of the division of mental hygiene. Massachusetts department of mental diseases: Miss R. L. White, chief of dietetics. Forsyth Dental Infirmary for Children: and Dr. C. F. Wilinsky, Director of the Beth Israel Hospital, as guests speakers...
...Tisdale opened the series on January 6 with a description of how the teeth and jaws of the very young child develop. Dr. Baker, speaking on January 9, described what the orthodontist can do to prevent the development of crooked teeth and jaws. Dr. Losch today will emphasize the importance of taking care of the baby teeth as a means of preventing more serious trouble in later life. Miss White on Friday will tell what foods should be eaten to build strong teeth and develop the jaws. Dr. Thom on January 20 will talk about habits in young children...
...trio consisting of Johann Sebastian Bach, Maurice Ravel and that infectious zoologist, Cole ("Let's Do It") Porter who used to lead the Yale Glee Club. A tune by the late great Bach is intoned during a dance entitled "Gothic'' in which two girls named Tilly Losch and Ann Barberova strike attitudes marvelously reminiscent of medieval sculpture and stained glass. To the threnodies of Ravel, the remarkable Losch, whose dancing has made her something of a fetish in Europe, performs an extraordinary "Arabesque" in which her hands and torso trace sinuous designs while her feet remain motionless...
...Tilly Losch learned to feel comfortable in a ballet skirt at the Wiener StaatsOper (Vienna) when she was six years old. She has been on the payroll ever since, obtaining sundry leaves of absence. Her only previous U. S. appearance was in Max Reinhardt's production of A Midsummer Night's Dream (1927) but she directed the dances for Noel Coward's recent revue This Year of Grace and his current musi-comedy Bitter Sweet. Most of the routines in Wake Up and Dream are also hers...
Unhappily, Miles. Losch and Matthews are not in Manhattan; their subtle postures and cream-smooth notes are sadly needed. Of course, Marjorie Moss and Georges Fontana float through their waltz scene to threaten voidance of Pavlowa's lifelong lease on "incomparable." Madeline Gibson's demure loveliness forestalls unsympathetic accusations of vocal timidity. But with these exceptions there is no competent voice, no dexterous dancing in the entire revue...