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Word: loses (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...requiring proctors to report their students, Harvard first-years lose someone they can confide in--a factor that Wechsler describes as crucial for a student first tasting independence...

Author: By Parker R. Conrad, CRIMSON STAFF WRITER | Title: Alcohol Policy Can Threaten Student Safety | 11/8/1999 | See Source »

...successor. And Healy has an impressive record to rest upon, having made Cambridge one of the best-run cities in the country. If he continues to work as city manager it is important that the council and manager cooperate on civil terms. The council has as much to lose from Healy's experience as they do to gain from the sort of "rubber-stamp" city manager some of its members desire...

Author: By The CRIMSON Staff, | Title: Picking City Leadership | 11/8/1999 | See Source »

...goal up, however, the Crimson began to slow the pace and lose challenges that could have been there...

Author: By Peter D. Henninger, SPECIAL TO THE CRIMSON | Title: W. Soccer Claims Ivy Crown | 11/8/1999 | See Source »

...however, was an unreasonably large and unmanageable cast of characters, many of whom are demoted to ornamental, cardboard cut-out status in the three-hour world of the theatre. There's Amos Force (Keith Perry), the conservative Yankee who will do whatever it takes to see the Irish mayor lose; Francis Jr. (John P. Arnold), the mayor's playboy, finger-snapping son; obsequious, bumbling Ditto (Paul Kerry), the mayor's would-be right-hand man, and so on, and so on. Though there is some fine acting in the mix, none of these characters is on stage long enough...

Author: By Matthew B. Sussman, CONTRIBUTING WRITER | Title: The Last Hurrah Wins No Cheers | 11/5/1999 | See Source »

...greatest strength of the film is in its actors but in the last part of the film, Crowe's Wigand almost disappears, and Pacino's Bergman is given scenes full of moral posturing that are completely out of character. After weaving a difficult and astonishing narrative, Mann begins to lose the thread; he sacrifices complexity for black-and-white morality and substitutes shapeless confrontations for emotional depth...

Author: By Rheanna Bates, CONTRIBUTING WRITER | Title: Where There's Smoke | 11/5/1999 | See Source »

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