Word: losey
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Dates: during 1970-1979
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Happy Ending. Secret Ceremony, Director Joseph Losey's baroque story of psychosis and interchange of identity, was given an entirely new introductory scene and thereby converted into a trite tale of domestic friction. And British Director Peter Hall, after a similar experience with Three Into Two Won't Go, is still smarting. The film, he says, "was about the breakup of a marriage so dishonest it needed breaking up. The crisis was provoked by the husband's affair with a young hitchhiker. Universal's new picture is about a probation officer's search...
HUGH WHEELER'S screenplay is shot through with lurid wit, and Harold Prince, though he is slow setting the narrative in motion, soon enough hits a satisfying, brisk pace. The product has an elegant playfulness which spares it from the pall which pervades black comedy of the Losey-Pinter genre. Contributing to the atmosphere of levity are Heidelinde Weiss as the voyeur daughter and Anthony Corlan as the homosexual son. They give two wildly funny performances...
...Fellini's Toby Dammit and La Dolce Vita, Daria is threatened by infantile gang rape and escapes fast, horrified at 'these mutants removed from society by a friend of hers. They inhabit America's barren unclear-testing-ground country, children of a social and cultural Hiroshima, like those of Losey's film These Are The Damned. The sequence ends with Daria driving out of frame; the camera lingers, tracking into the Bar window and setiling elegautly on a stunning image of fossilized American Past, Daria has passed-by two extremes of living death, and approaches the partial regeneration...