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ACCIDENT. Harold Pinter wrote the screenplay, and Joseph Losey directed this glacial dissection of human passion against the background of an Oxonian summer...

Author: /time Magazine | Title: Television: May 26, 1967 | 5/26/1967 | See Source »

ACCIDENT. The scene is Oxford. The story involves a wan don (Dirk Bogarde) who tries to be a Don Juan with a nubile undergraduate while his wife (Vivian Merchant) is pregnant. Harold Pinter wrote the cryptic, skeletal dialogue, Joseph Losey directed...

Author: /time Magazine | Title: Television: May 12, 1967 | 5/12/1967 | See Source »

Accident's glacial dissection of human passion takes place against the brilliant background of a green Oxonian summer, accenting the mood of haunting irony that Director Joseph Losey (The Servant) strove for. But despite the excellence of his camera work, and of Bogarde in the central role, Accident is a flawed work. The fault is largely that of Scriptwriter Harold Pinter (The Homecoming). His customarily cryptic dialogue probes too deeply, revealing all of the characters' inner anxiety and guilt, almost none of their outward life and feeling. Although they suffer from pangs of the flesh, they seem...

Author: /time Magazine | Title: Cinema: X-Ray Treatment | 4/21/1967 | See Source »

Based on a novel by J. L. Hodson that Director Joseph Losey two years ago turned into a stirring film called King and Country (TIME, Oct. 1, 1965), Hamp, in this off-Broadway production, derives its tension and strength from a conflict between two goods, not between good and evil. Duty and discipline are obviously good and necessary in wartime, when communal responsibility is essential. On the other hand, mercy shown is also good, and morally imperative; none is shown to Hamp. As he says, softly and pitiably, "It were only the first time, sir." Here the playwright opens...

Author: /time Magazine | Title: Theater: A Pebble of Innocence | 3/17/1967 | See Source »

...diamonds are neglected, though, while Director Joseph Losey (The Servant) and Scenarist Evan Jones improvise humorous asides that savor of sick sex and smartness. As Modesty's aide-de-camp and partner in song (this is the anything-goes brand of moviemaking), Terence Stamp plays a knife-wielding thug who first appears abed with a dark-skinned trollop, throws a shiv after her as she dresses and steals away. Modesty's archfoe is Gabriel (Dirk Bogarde), a faggoty Edwardian fop who flounces around an op-art seaside castle that looks rather like marzipan. Under a lavender parasol...

Author: /time Magazine | Title: Cinema: Fey Fun | 7/15/1966 | See Source »

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