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...ordeal of Hamp and of the officers who condemn him to death is the whole action of this painful, stirring film, which could easily have been nothing more than a sentimental antiwar movie about the little man and the big machine. But Director-Producer Joseph Losey, whose movie The Servant won eight British Film Academy nominations and four awards, has made King and Country a pity-and-terror-filled drama of death against life, and law against justice...

Author: /time Magazine | Title: Cinema: Royal Fellowship | 10/1/1965 | See Source »

...belongs to the actors-especially to 28-year-old Tom Courtenay (The Loneliness of the Long Distance Runner), who plays Hamp as an inarticulate, baffled, baited animal, hurting with foolish hope. But it is the style and shaping of the whole that gives the film its special authority: Director Losey's use of a bunch of privates as a kind of action chorus to comment on the development of the drama; his staging of a symbolic game of drunken blindman's buff in Hamp's cell before he is executed; the awful detail of Hamp...

Author: /time Magazine | Title: Cinema: Royal Fellowship | 10/1/1965 | See Source »

THESE ARE THE DAMNED. Goose bumps abound at an English coastal resort, where Director Joseph Losey (The Servant) brings his razzle-dazzle skills to bear on a heavily guarded secret project that is infiltrated by a tourist (MacDonald Carey) and a trollop (Shirley Anne Field...

Author: /time Magazine | Title: Television, Theater, Cinema, Books, Best Sellers: Aug. 20, 1965 | 8/20/1965 | See Source »

THESE ARE THE DAMNED. Director Joseph Losey (The Servant) unleashes his razzle-dazzle camera techniques in a small science-fiction thriller about a tart (Shirley Anne Field) and a tourist (MacDonald Carey) who stumble onto some nightmarish experiments on the English coast...

Author: /time Magazine | Title: Theater: Aug. 13, 1965 | 8/13/1965 | See Source »

...Director Losey tries to cover cliches with camera trickery. He works from arresting angles, all but caressing the decor of a world made to order for the filthy rich. Fond of polished surfaces, he dotes on reflections in mirrors, sunglasses, brandy snifters. But the validity of Eva lies in Moreau's accomplished bitchery. As a sleek alley cat commuting at her whim between Venice and Rome, she slinks from warm beds to warm baths, purring over her furs and silks and blues records with such hypnotic self-absorption that even a silly role begins to seem not just interesting...

Author: /time Magazine | Title: Cinema: All About Moreau | 6/11/1965 | See Source »

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