Word: lostness
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Dates: during 1960-1969
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Luckily for Harvard, the regatta is run on a seeding system this sumer rather than on the traditional blind draw. The Crimson drew powerful Cornell last July and lost in the opening round. This week, with the boat suffering from a virus only two days before its first race, a similar draw would have been disastrous...
...could do anything. We marched on the Pentagon in October, and I remember the sky sulphurous with the smell of teargas and smoke in the air. In March the President was deposed and the war was over (something about no bombing of North Vietnam). People worked for McCarthy, who lost by only a little in New Hampshire but by a lot in the Democratic convention. Still, it was wonderful to feel that you could get things done. And in May there was Columbia. Earlier, we sat in against a Dow Chemical Company recruiter, because Dow made napalm, which...
...things, loving and hating, we learned for ourselves. That was before they knew us, of course, before being required acting, and then they noticed, and they demanded explanations, and, being well-educated, we realized there must be explanations for what we were doing, and we gave them, and we lost ourselves...
...answer their questions. And soon, our world was gone. Some of us became Marxists, and some of us became capitalists; we talked about our past, as I am talking now, as though it were the present. We gave ourselves up, and we are left with a feeling of being lost. Perhaps every class feels that way, perhaps every person feels that when when he is 22. That does not make it any less important to us; it is the first time we have felt that way, and it is impossible for us to experience the way all those other people...
...directed by Michael Kahn, never fails to hold the attention. It is, however, essentially a wilful distortion and cheapening of Shakespeare's play. Last season Kahn, with daring and imaginative updating, achieved the seemingly impossible by turning the inferior and (I thought) no-longer-viable Love's Labour's Lost into a dazzling success. Now, having been promoted by the Festival's top brass to the post of Artistic Director, the 30-year-old Kahn has applied the same daring and imaginative updating to a play that is simply not sufficiently malleable. He has, in effect, turned a silk purse...