Word: lostness
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Dates: during 1990-1999
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...Sadly, the crowd's overt apathy extended unfairly to the opening band, Gorky's Zygotic Mynci. The band's Welsh nature and English pop sensibilities (crafted in the tradition of late-'60s Beatles or Beach Boys) were mostly lost on a polite but uninterested audience. Touring in support of their latest release Spanish Dance Troupe, the band played their heart out. Highlights included the raucous "Poodle Rockin'" and an acoustic interlude, complete with the soothing violin of Megan Childs. The band put on a good, energetic show, and it was sad to see the chilly reception for most...
...sugar makes the thriller go down so easy that one wonders whether the ghost of Federico Fellini wasn't smiling on this one. Why not? Thomas Ripley isn't really all that different from Fellini's heroines: like, say, Giulietta Masina in Nights of Cabiria. They are just two lost idealists looking up at the beautiful world they can't quite enter themselves. But while Masina laughs, Ripley rends. The difference is heartbreaking...
...lost. On surface, this holiday movie season looks downright banal. But look closer and you'll find the hidden gems. Next week, Oliver Stone delivers the adrenaline extravaganza Any Given Sunday starring Al Pacino and Cameron Diaz. The same day (talk about counterprogramming hitting counterprogramming, thus eliminating the point of counterprogramming), Jim Carrey does Andy Kaufman in Milos Forman's Man on the Moon. In this issue, we give you a look at The Talented Mr. Ripley, Anthony Minghella's follow-up to The English Patient that stars Matt Damon and Gwyneth Paltrow in a wicked little tale about murder...
...friend who had mono once and he was sick for a whole year and lost 30 pounds. I row here, so it would mess me up for so long. One time a few months ago I drank out of a glass at a club and I didn't realize it wasn't mine. I was afraid for days I was going...
...Attie's first public work, The Writing on the Wall, projected pre-war photographs of the Jewish community onto the facades of houses in Berlin's eastern Scheunenviertel. The effect of seeing Jewish lives lost to the Holocaust superimposed upon the crumbling buildings that had once been their homes was deeply disorienting; the images were projected for several evenings and served as a testimony in light to passers-by. The ICA has lightbox photographs of the projections on display as documents of the 1992 event...