Word: lot
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...what you read about in those oddly-numbered CRIMSON radicalism articles on Wednesdays. It seems, at present, to have something to do with rock music, mysticism, the carpe diem motif, and the notion that "things aren't caused, they just happen--then we react or categorize." It has a lot to do with self-expression. That's why the best and most creative people can afford to be romantics. But perhaps there are times when none of us can afford to be romantics...
...well under Conductor Erich Leinsdorf. Columbia has two other popular orchestras on its roster: The New York Philharmonic with Leonard Bernstein, and George Szells Cleveland Orchestra. RCA's winning bid was a reported $340,000-a-year royalty guarantee over the next five years. That is a lot of money, but RCA thinks it has a very good chance not only of recovering its costs, but of coming out ahead as well...
...Music rather than in the ballroom used by Columbia, their sound is often dry and devoid of the luster for which the orchestra is famous. Charles Ives' Third Symphony and an LP of Grieg and Liszt concertos with Pianist Van Cliburn as soloist are the best of the lot. But the Chopin F-minor Concerto with Artur Rubinstein is heavy and graceless, and Tchaikovsky's Pathetique Symphony lacks the bite and immediacy of a nine-year-old version that Columbia re-engineered and rereleased last year. Bruckner's Seventh Symphony has a glossiness that does not suit...
Royalties and Pops. Nonetheless, the orchestra itself has reason to be content with its new lot. Royalties are coming in from both companies. In addition, Ormandy can now record material that was closed to him at Columbia, because Mahler belonged largely to Bernstein, and Mozart to Szell. To be released in the fall are Philadelphia versions of the Mahler First Symphony and Mendelssohn's Elijah. After that will come DeFalla's Nights in the Gardens of Spain with Rubinstein, Mahler's Second Symphony, Bach's St. Matthew Passion, and several contemporary works, including Krzystof Penderecki...
...show stays well above a hackneyed combination of a dominating mother and fairy tale. The lines stay fresh onstage. Aggravain's "Remember, blood will tell and yours didn't tell us quite enough," said to a flunking wife-candidate, is a lot funnier under Josh Rubin's direction than it is in the libretto...