Word: lots
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...It’s been my official ideology for a long time that there are no wrong interpretations. As artists, we put a lot in store in our own intentions. We intend our works to mean some things, and that’s what we want the viewer to get and understand. What an artwork means broadly in society as a particular kind of cultural object is first of all overwhelmingly defined by the fact that the artwork exists and is recognized as being a work...
Often, by the time directors meet with Ding, they will have already given a lot of thought to the visual representation of their shows in publicity materials. Inspiration comes from a number of sources, including the show’s own set design and images of the production from past performances. “Even beautiful images from the Internet or films—like screen shots from movies—can inform the graphic design work for a poster,” she said...
Other student designers, however, come to Harvard with some familiarity with graphic design software. “In high school, I did a lot of journalism,” explains Ding. “My high school was fortunate enough to print a color newspaper with broadsheet, so that’s how I started working with Photoshop and InDesign.” Hsieh jokes that he started doing graphic design work before Harvard because “I just don’t like ugly things.” On a more serious note, he added...
...developed by Winston X. Yan ’10 and Alexander G. Bick ’10, is an iPhone version of “The Unofficial Guide to Harvard.” “I’m a Computer Science concentrator, so I do a lot of the programming for Rover. But since I also do graphic design, I redesigned the user interface and overhauled the look with new icons,” Ding said. “As a programmer, it’s easy to get caught up in the technical aspects and forget...
Director James M. Leaf ’10 says, “A modern American audience has no experience with a revolution; however, there have been revolutions in other countries, so we examined other countries. And those revolutions are at work in a lot of the play’s aesthetics...