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Usage:

...WEEP. There will be some program changes, occasionally some subdued music, and commercials beamed to a general audience. But for the most part, WILY fans will not be disappointed in WEEP. Announcers will still bray crazy commercials; odd-voiced groups will yell the lyrics to Chicken Baby Chicken, Whole Lotta Shakin' Goin' On, and assorted other tunes "to endure traffic jams...

Author: /time Magazine | Title: Television: First Peep Out of WEEP | 10/7/1957 | See Source »

...even a new direction. In the gilt-and-red-velvet San Carlo Opera House (not air-conditioned), 703 delegates, plus party bigwigs and hangers-on, listened to some 100 speeches over the course of four days. On the top tier of boxes a huge banner read: Il Partito nella Lotta per la Democrazia (The Party in the Struggle for Democracy...

Author: /time Magazine | Title: ITALY: Young Initiative | 7/12/1954 | See Source »

...place to live. Well, I say the best place to live is where you've got a good job. That's the best place to live. When you move into a town, through the Alumni Association you meet people who can do you good. They'll do you a lotta good, and you'll do them a lotta good. That's the Business School spirit...

Author: By Edgar Beaver, | Title: The Old School Meeting | 5/12/1952 | See Source »

Treading lightly at first, the film soon begins taking itself as solemnly as Gone With the Wind, and seems to last almost as long. For a couple of reels Lotta yearns for the stage before Producer Jessel lets her go on; then he takes her on a tour that dawdles like an actor poring over his scrapbook. Her suitor follows on horseback. First she thinks he is a gambler, then a bandit, before he emerges proudly as a Southern patriot...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 26, 1951 | 11/26/1951 | See Source »

Jessel hits his last sequence like a drummer going into a sock chorus. Lotta is in mid-performance in a big New York theater. A letter arrives, seeming to seal the death of her lover in a Southern hospital. Suddenly her father (Hoofer James Barton) rushes in to announce that the war is over. Tearfully, Lotta goes to the center of stage and sings a mournful chorus of Dixie to the outrage of the audience. Her partner (Dennis Day) steps out of the wings, gives the New Yorkers a lecture that echoes Lincoln's "malice toward none," and soon...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 26, 1951 | 11/26/1951 | See Source »

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