Word: loudnesses
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...have the chance to see former President Bill Clinton on the Fox News show on Sunday? He got very upset. He went ballistic. He was loud. He was angry and confrontational. So, Fox gave him a show." DAVID LETTERMAN...
...doorstep, much of it with an ethnic feel. At the Indian-inspired KAIKO CLUB, tel: (43-1) 479 88 49, revelers dance to house music beside Buddhist statuary and beneath a massive golden chandelier; over at BOW 4, tel: (43-1) 310 55 82, the techno is as loud as the Moroccan-themed surroundings. When your ears start ringing, go for a nightcap at the blissfully laid-back SHIRAZ, tel: (43-664) 335 55 55 - a favorite of hookah-smoking jeunesse dorée, lounging on Persian pillows. Josefstädterstrasse is the Gürtel's other nightlife...
...billed Woodpecker, it was never more than a minute or two before I switched back to something more interesting. And this, in a nutshell, is the state shared by indie rock stalwarts Yo La Tengo circa 2006. After starting out their career with a series of exciting, creative, and loud albums, culminating in 1997’s “I Can Hear the Heart Beating as One,” senescence began to set in. Since then, their new releases have been called amiable, mellow, low-key, good, and bad, but never fun. Despite the confrontational name...
...only hope that you’ll stick around long enough that I’ll get a second chance. Leave the overstuffed chairs and mellow Norah Jones soundtrack to the TF meetings and uncomfortably-attached couples in Starbucks. You—with your lack of seating, loud-noise rock, and homeless clientele—are the perfect wingman for the charitable, yet brief, grabbing of coffee with the awkward kid from section. I don’t want the yuppie strollers and biodegradable footprint-patterned carafes of Peet’s—give me plain cups...
...fascinated, he wore many masks and played many roles, going from an impressive acoustic jam (both hands slapping and sliding the entire length of the fretboard), to the Sparklehorse-inspired trembling of “I’ll Be Yr Bird.” Across the entire spectrum, loud or quiet, there is a sense of familiarity with Ward, and it is a comfort that transcends the stories and sounds of his songs. It’s not so much the plaintive fragility of those with whom he is often compares (Beam of Iron & Wine, Mark Linkous of Sparklehorse...