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Word: loudnesses (lookup in dictionary) (lookup stats)
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...himself, head down a bit, but then, gazing up at thousands of faces, he figured the heck with it and screamed back, mouth wide, looking like every other crazy who has played in goal. No one could hear Howard, of course; that's the best part. His voice rose, loud and unnoticed, into the English air. "I'm yelling back at them!" he recalls. "My whole team's out there celebrating, so I am too. Why not?" Just describing it makes him giddy - he giggles at the thought, slumps back in his chair, exhales. He looks like...

Author: /time Magazine | Title: A Yank In Manchester | 3/21/2004 | See Source »

Bass, in itself, isn’t base. I think the low-end in music after rock has been stigmatized not just because it’s loud, but because it’s become disembodied. There’s no bass player, no one there to praise or blame but the bass itself. Yet the bass is ever more important; it’s a force of its own that literally forces attention to itself. There’s always been low-end in music, but at this point it demands proper representation. So does everything else for that...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: High On Volume | 3/19/2004 | See Source »

When I listen to a jazz or classical record (or a folk record—not that I have more than two) it hardly matters how loud it is. As a recording it’s already a second-degree experience of the musicianship, without the spontaneity or theatricality of the performance. You can still hear some of it, but there’s no fundamental connection. The only essence that’s preserved is the notes themselves, their tangible ideas and relationships. As long as they’re clearly audible the music conveys enough

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: High On Volume | 3/19/2004 | See Source »

When it’s loud enough, Triple R’s gorgeous Friends mix on Kompakt makes me feel like I’m dancing inside a womb. Debussy might’ve fallen head over heels for the German house label, whose artists are masters at coloring texture as well as tone. Like so much new music, it fully engages the physical field, which is exactly why you can’t listen to it the same way you used to be able to enjoy a lyric or a tune—it’s become more...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: High On Volume | 3/19/2004 | See Source »

...some reservations about being loud on the court,” he admitted, “because I don’t like to show a lot of emotions. I also felt like that a very in-your-face thing...

Author: By Rebecca A. Seesel, CONTRIBUTING WRITER | Title: Freshman Li Playing As a Veteran | 3/18/2004 | See Source »

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