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Word: loudnesses (lookup in dictionary) (lookup stats)
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...Sara, Alterman emanated a passionate and intimidating ferocity that, at times, verged on psychosis. While her yelling quickly became old, she effectively portrayed her character’s inner rage. Alterman’s performance was touching and powerful not because of how loud she could be, but because of the means by which she built tension between Sara and the audience. Alterman effectively revealed Sara’s cursing and screaming as an attempt to cope with her rape by a classmate ten years ago, and led us to understand how a minor character in one of Sara?...

Author: By Denise J. Xu, CONTRIBUTING WRITER | Title: ‘Diptych’ Finds Depth in Duality | 10/14/2007 | See Source »

...first track on the album, however, is misleading. “Is There a Ghost,” opens with echoing guitar notes and Bridwell’s voice before picking up the beat and plunging into loud, distorted chords. It’s extremely reminiscent of their most popular track on the first album, “The Funeral”—it’s the sound that made “Everything All the Time” so exciting...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Band of Horses | 10/12/2007 | See Source »

...Following Nelson’s announcement, the UC last night unanimously approved a bill to allocate the usual amount of money to the HoCos. The vote drew a loud round of applause in the Grays Hall basement classroom where the Council...

Author: By Aditi Banga and Victoria B. Kabak, CRIMSON STAFF WRITERSS | Title: Caught in Spat, House Committees Will Still Receive Funds | 10/12/2007 | See Source »

...felt that anxiety.In January of 2007, Greenbaum, along with David Ingber ’07, got Harvard’s first ever student organization devoted to stand-up comedy approved as an official club. They called it the Harvard Stand-Up Comedy Society, or HSUCS. Say that acronym out loud once or twice and you’ll get the joke.“The dean’s office didn’t realize that our acronym was Harvard SUCS,” Greenbaum explains. But soon, it seemed that the proverbial jig was up. “They...

Author: By Daniel B. Howell, CONTRIBUTING WRITER | Title: No Hecklers Here: Stand-Up Society Takes the Stage | 10/12/2007 | See Source »

Although “We Own the Night” is set in a stark, drab New York City of 1988, it is unmistakably a product of our current social climate—a loud glorification of government-backed violence and a raucous endorsement of a “do whatever it takes” mentality. In the film’s world, cops are still called pigs, cocaine rules the street, Blondie still plays at clubs, and mobsters with ponytails wear tight leather jackets. But such 80s cultural stereotypes seem anachronistic, mostly because they so poorly mask the fact...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: We Own The Night | 10/12/2007 | See Source »

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