Word: louds
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Dates: during 1980-1989
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Melendez, after a year off, heads a few hundred yards north of Canaday Hall to Harvard Law School. In the meantime, he is looking for a job and maintaining close ties to the Council, where he served as a loud and often nettlesome back-bencher this year. Melendez also worked this year as a paid executive secretary to the Council, a move Touhey says did not help him gain a sense of independence and self-confidence. "Brian at Harvard has developed so much of his identity from the Undergraduate Council," Touhey says...
...many of us moaned out loud when I.B. Cohenof Nat Sci III assaulted us with the worst everexam questions? "What was the final temperature ofthe beaker of water into which fell the steel ballthat had bounced off the nail after it rolled andfell off the table which was X inches off thefloor...
...Kong and Kuwait, but, Hishinuma says with some bemusement, they are "avant-garde and not very commercial," so they are not for sale in Japan. "People are afraid of certain outfits," he observes, talking in his one-room studio below a Tokyo back street. "They think, 'This is too loud for me.' " Indeed, the designer is swacked on the vibrant, sun-drenched colors of the Mediterranean and says, "Whenever I go to Italy, it always feels like home." Hishinuma has the kind of unbridled talent that with a little trimming along the far edges, could reright the fashion axis...
...lurching mostly into the past. Of this season's first ten efforts, two derived from old movies, two reworked old novels, four rehashed old stage or cabaret shows, and six relied entirely on recycled songs. Last week the main stem reached back 20 years to revive Sweet Charity, a loud, sentimental farce about a taxi dancer who gives herself body and soul, but especially body, to any man who hints of love. In 1966, Sweet Charity garnered just one Tony Award, for Bob Fosse's explosive choreography, yet it ran 18 months on the strength of its likability and slickness...
Much of that audience will probably be reading Fatherhood. They will get what they expect, including a fair measure of out-loud laughs. Cosby is still mystified about the motives for baby making ("a kind of erotic arts and crafts"), and he disdains overtly proud dads who believe "mere fertilization is a reason for the high five." Interfamilial wars particularly stir his | juices. "Always end the name of your child with a vowel," he counsels, "so that when you yell, the name will carry." The generations must ever gap. "No matter how he talks, a father cannot sound...