Word: loutish
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Dates: during 1970-1979
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Read demonstrates a restrained enthusiasm for bringing these criminals to life on the page. But he also avoids romanticizing them with a league-of-gentlemen myth. Mostly, the sources of his book are an unsavory lot, greedy and loutish. One, however, had a taste for Flaubert and Wittgenstein, another the skill and nerve to become a professional racing-car driver, and a third possessed a spontaneously poetic soul. He greeted the dawn after the successful holdup with lines from Omar Khayyám: "Awake! for Morning in the Bowl of Night/ Has flung the Stone that puts the Stars...
...unlike Wayne, is on the side of the doves, but a brief exposure to the garbled ideology of Company C might per suade even Benjamin Spock to take up arms. The complex historical drama of Viet Nam becomes as mindless as a Saturday-morning cartoon. The bad guys are loutish American officers obsessed with body counts and South Vietnamese preoccupied with heroin smuggling. The good guys are the Marines in Company C, all of whom, apparently, fought the war against their will. The Vietnamese peasants are represented by picturesque extras who seem to be refugees from a way ward road...
...version absolves the Sanhedrin and the Jewish crowds of their traditional role as villains and assigns it to the loutish Roman soldiers. The main instigator of the Crucifixion, however, turns out to be Lucifer. The Evil One mingles with the Jewish street crowds and accompanies Judas on his mission of betrayal. In one of the few lines with a parallel in both versions, Judas now says, "Oh what cursed gold I received, turning me into a traitor." The 19th century text goes, "Oh cursed money I received from you, the Jewish rot, the scum." Schwaighofer has also added other...
They offer it as a series of melodramatic cliches, seen strictly in terms of black (noble, long-suffering, righteous) and white (sadistic, loutish, bigoted). Any shred of evidence damaging to Jackson - and there is a good deal - is conveniently omitted...
...then as the head of her own small school. But her temperament, says Biographer Tomalin, "was geared to drama, violent emotion and struggle" without nuance, irony or humor. She was a person who had to dominate people. An early victory was persuading her sister to run away from her loutish husband and baby. Where Wollstonecraft's confused sense of her own sexuality was concerned, she was as ambivalent and anguished a victim as ever slit her wrists in a Joyce Carol Gates story...