Word: louts
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...with Wolves -- it is the name the Sioux give Dunbar -- is a movie that is very easy to make fun of, and not merely because of Dunbar's risible ahistoricism. It would be nice, for instance, to meet some white man, other than Dunbar, who is not a brutish lout. And it would not harm the film if there were one or two bad-natured Sioux visible in it. (The Pawnee, who obviously need a p.r. consultant, are portrayed as the scourge of the prairies.) It is, as well, all too easy to see why Costner -- or any actor -- would...
Like his father, novelist Kingsley Amis, the author courts the charge of misogyny. Modified misanthropy would be closer to the mark. Almost anything on two legs is fair game for the Amis blitz. Keith Talent reads like a composite of every cheating, pub-crawling lout that Amis has ever met, which is probably quite a few. A typical Talent day includes waking with a hangover, a round of serial adulteries and petty larcenies, then hours of whetting his dart skills at the Black Cross. A typical business transaction includes stealing a shipment of perfume and, when finding out that...
...first film, "Crocodile" Dundee, and he's likely to sound like the laid-back grandpa he is rather than the hottest actor to come up from Down Under since Mel Gibson got his driver's license. "We're doing real well," deadpans the self-described former pub lout. "And I'm feelin' real well." Bet you are, mate. The story of a crocodile poacher who trades the dangers of the Australian Outback for the perils of Manhattan's urban jungle, Dundee was already the top-grossing film in Australian history when it opened in the U.S. For the past...
Wanda: Let me tell you a little secret, Ralph. I married a lout. Who cares about the technology of orgasm? Sex is supposed to be part of a relationship, not a high school biology course. Some women have orgasms without contractions, and the white coats smile down and say, "Sorry, we can't count those because we can't measure them." Same old stuff of males using science to define and control women...
...lavish Amadeus is not exactly Cinderella, it is an odd choice for so much Hollywood glory. It is long (2 hr. 38 min.), without the epic quality that often marks lengthy pictures. Its theme, moreover, is rarefied: God's inexplicable gift of genius to a lout (Mozart, as Shaffer conceives his character), and his assignment of mediocrity to someone who is eminently deserving (the devout Salieri). But the biggest obstacle is Mozart, whose very name intimidates many moviegoers. The picture has prospered anyway, grossing $34 million in the U.S. and Canada even before the awards...