Word: love-sick
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...above all is Fabergé's astonishing diversity. The artifacts range from relatively austere stone boxes and clocks, perfume flacons, letter openers and an art nouveau cigarette case given to Edward VII, to what Fabergé called his objets de fantaisie: a windup, tail-wagging silver rhinoceros, a love-sick frog on a silver column, and-in jade, nephrite, agate, chalcedony, quartzite and other gem stones-a dormouse out of Alice's Adventures in Wonderland, a litter of four sleeping piglets, and minimenageries of meticulously observed birds, fish and beasts...
...really boils down to symptoms. Pregnant replies, mystic allusions, mistaken identities, arguing his father is his mother, that sort of thing. . . Knock-kneed, droop-stockinged and sighing like a love-sick schoolboy, which at his age is coming on a bit strong...
Everyone knows the story--of Charlie Brown and his failures; of the passion Schroeder feels for Beethoven, only to be harassed by the love-sick Lucy (who in this production cries "Hooray for Barry Manilow" just to get a rise out of the budding pianist); of Snoopy's unending battle with the Red Baron. The small circle of friends grows up in these amusing vignettes, while an occasional moral dots the otherwise harmless script. There's not an undergraduate who in his youth didn't toss a few "good griefs" into the wind at a younger sibling...
...become known as "the unlucky opera." Harvard, however, is lucky to have it, thanks to a particularly fine production by the Gilbert and Sullivan players. As we've been telling you for two weeks now, it's both a supernatural opera and a melodramatic satire. It teems with mad love-sick girls and baronets in disguise and family curses and portraits that come to life. Despite the absence of the celebrated Gilbert and Sullivan social wit and a rather abrupt finale, the show is as visually dazzling as it is technically brilliant. Sully Bonn's direction provides both spine-tingling...
Borowczyk, also the screenwriter, does not stop Ewa's fall here. Within the next 45 minutes, and to the triumphant strains of Mendelsohn's Violin Concerto in E Minor, Ewa stuffs her illegitimate child down an outhouse hole, pull a love-sick count by the nose all the way to Paris, and finally succumbs to a shifty-looking criminal who uses her charms to defraud the hapless count. "Isn't this going too far? we begin to wonder...