Word: love
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Dates: during 1970-1979
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NOBODY EXPECTED the Eagles to pull this one off. Hotel California, their last album, betrayed a group hesitant to stray from familiar territory, unwilling to explore themes beyond the California fast life, unrequited love and witchy, lying women. And after Hotel California Joe Walsh and Randy Meisner went the solo route, leaving the band treading water in the backwash of the New Wave tide. But somehow the Eagles stayed afloat. Somehow they coaxed Walsh back into the flock, incorporated new themes into their music, and experimented with new sounds. And somehow The Long Run turned out to be a surprisingly...
Donovan's love of ingenuity was infectious. William Duff, a retired book publisher who was sent to Algiers to recruit agents for spying in France, recalls one example: "We had a chap in Cairo who designed a land mine that looked remarkably like a camel turd. He put it in the diplomatic pouch and sent it to London. I'm not sure they knew quite what to make of it." Thibaut de Saint Phalle, now a director of the Export-Import Bank, discovered that Chinese pirates were very adept at blowing up Japanese ships, and he went...
Many Pritchett fictions deal with styles of preserving one's dignity. How does an aging botanist confront the energies of his lovely 25-year-old companion? Carefully, as the author illustrates in the title story of his latest collection: "There are rules for old men who are in love with young girls, all the stricter when the young girls are in love with them. It has to be played as a game." Love, of course, is never a game, especially in a December-May romance where the older party keeps one eye on the clock and the younger does...
FICTION: Endless Love, Scott Spencer Passion Play, Jerzy Kosinski Shikasta, Doris Lessing The Executioner's Song, Norman Mailer The Ghost Writer, Philip Roth The Green Ripper, John D. MacDonald Uncollected Stories of William Faulkner, edited by Joseph Blotner
Only under the worst conditions does Updike envision that men can begin to dismantle the obstacles between them. Pain alone links Tod and his wife. Pumpkin, in "Love Song for a Moog Synthesizer." Tod responds to Pumpkin's need for human sympathy only when she offers a "piece of herself, transferred to his ribs, his kidneys, as pain." Love attaches itself only "to what we cannot help," Updike observes grimly. In another tale of marital wrangling, then, the wife gets through to her husband only by inducing desperation like a "hooked claw," evolving "psychic protuberances that penetrated and embraced...