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Word: loved (lookup in dictionary) (lookup stats)
Dates: during 1880-1889
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Usage:

...music, artistically adapted from the latest comic operas by Mr. Daniels, was very well rendered by the Boston Cadet Band under his direction. The plot, it is needless to say, abounded with anachronisms and absurdities which made it all the more amusing. Romulus and Remus are in love with Proserpina; they fight a duel about her, and Remus is killed; Romulus descends to Hades to recover his brother's soul, and finds Proserpina there on the same errand; Pluto falls in love with Proserpina and refuses to let her return to earth; the difficulty of providing a bridal trousseau...

Author: NO WRITER ATTRIBUTED | Title: The D. K. E. Theatricals. | 4/5/1886 | See Source »

...persons implicated in the play were the Mathematikado (a Braisilian by birth); Ayty Ayt, (a clever youth, in love with Trig Trig); Trig Trig, (a favorite of the Mathematikado); Latisha and Bot Ah Nee, ladies whom Ayty Ayt has paid court to, but of whom he has become tired; three little Ayty Nyns, admirers of Trig Trig; and a chorus of villagers of the town...

Author: NO WRITER ATTRIBUTED | Title: The Mathematikado. | 3/25/1886 | See Source »

...feeling rare in our college papers. The only other prose article, which is by Mr. H. G. Bruce, is entitled The Confessions of Donald Grant. Mr. Bruce has given us a very strong and subtle study of some of the phenomena of the passion which men usually call love...

Author: NO WRITER ATTRIBUTED | Title: The Harvard Monthly. | 3/18/1886 | See Source »

...numbers equipment, and supplies of all kinds the northern far surpassed the southern army. Nearly the whole of the southern army was American, while one third of the Federals were foreign born. Bounties and high pay aided much in enlisting Union men, while simply love of the "cause" without hope of glory or reward collected the southern troops...

Author: NO WRITER ATTRIBUTED | Title: Col. Douglas' Lecture. | 3/13/1886 | See Source »

...loafer" who talks himself and the artist into notoriety. Too easy publicity prevents the artist of to-day from standing out as did the masters of old. We do not know our great men. In art we want the work of the great artist pointed out to us. We love Routine. We want to see a Tadema or a Millais, but always expect to have it pointed out to us, and the result of this vicious practice has crept into every branch of art. The public exercises an irresistable coercian over the artist. The true artist is kept in misery...

Author: NO WRITER ATTRIBUTED | Title: Notoriety in Art. | 3/6/1886 | See Source »

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