Word: loved
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Dates: during 1900-1909
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Century--"Love-Watch," by C. Y. Rice...
...last of the informal Sunday afternoon meetings, arranged by the Phillips Brooks House Committee, will be held in the Brooks House Parlor tomorrow at 4.30 o'clock. Mr. Copeland will read, and Mr. John S. Codman '90 will sing the following songs: "Dio Possente," from Counod's "Faust;" "Irish Love Song," Margeret Lang; "Border Ballad," F. H. Cowen...
...evident that Victor Hugo was not a perfect character, and his limitations are apparent to all who have read his works. His love of the theatrical, his tendency to exaggerate and his colossal egotism lend an air of Ialsity to his writings; he deals too much in contrasts and in superlatives. But his motive is good and it is in reality the intensity of his enthusiasm which leads him to over-statement. This exaggerative tendency, though it results sometimes in an undesirable sentimentalism, in the main enhances the ethical value of Hugo's work...
...Washington Gladden, D.D., gave the second of the William Belden Noble lectures in Phillips Brooks House last evening on "Michelangelo Buonarotti, the Artist." Michelangelo, he said, was a lover of beauty, a loyal friend of freedom and justice, and a true servant of the God of light and love...
...under the influence of idealized love Dante views the whole spiritual world. The "Divina Commedia" offers unquestionably the best opportunity for studying his ideas and purposes. What Dante sees in his vision of Hell is the natural reaction of conduct upon character: the suffering which he portrays has not been arbitrarily inflicted, but is the logical result of sin. His mind, despite his liberal tendencies, was of the seventeenth century type. The grim symbolism of his Hell is as stern and terrible as human realism can contemplate...